Subscribe Now
About
Subscribe
Blog
Magazines
Shop
Donate
Index
Facebook
Twitter
Instagram
Search
Account
Search
Back Issues
Subscribe
Where To Buy
Issue 131 – Painting
September 2014 – Volume 33, Number 3
Bordernotes
The Woman Who Ate Money: A Parable for Our Times
Meeka Walsh
Borderviews
Meating Place
Brick Layers
Drawing on History
Stolen Affinities
Bordercolumn
Harry Who’s On First
Harry Who & the Chicago Imagists, directed by Leslie Buchbinder
Robert Enright
Interviews
Too Little and Too Much, All the Time
Charline von Heyl and the Life of Painting
Robert Enright, Meeka Walsh
Divided Pathways: Painting’s Choice
An Interview with Elizabeth McIntosh
Robert Enright
The Synonym Revealer’s Life
Neil Farber Makes Connections
Robert Enright, Meeka Walsh
Iconographer of the Local
A Conversation with David Thauberger
Robert Enright
Articles
The Grand Synthesizer
Gordon Smith and the Tradition of Painting
Robin Laurence
Itinerary of a Traveller through Darkness
The Nomadic Paintings of Martin Golland
James D. Campbell
For the Time Being: Blue Republic’s Vanishing Acts
Mark Kingwell
Painting Places Painting: Dagmar Dahle and Chris Kline
Stephen Horne
Crossovers
Material Self: Performing the Other Within
Milena Tomic
Phyllida Barlow
Paul Carey-Kent
Sky Glabush
Mira Berlin
Sylvie Bouchard
James D. Campbell
Paul-Emile Borduas, A Critical Biography by Francois-Marc Gagnon
Ken Carpenter
Bertram Brooker
Gary Michael Dault
Ron Shuebrook
Susan Gibson Garvey
Divya Mehra
Aryen Hoekstra
7: Professional Native Indian Artists Inc.
Amy Karlinsky
Susanna Heller
Anna Kovler
Jim Hodges
J.J. Kegan McFadden
Raymond Boisjoly
Erica Mendritzki
Milos Milidrag
Kim Olynyk
Sonny Assu
Courtney R Thompson
Jake and Dinos Chapman
Tracy Valcourt
Jimmy Limit
Ben Portis
There Can Never Be Enough: New and Selected Stories by David Arnason
Robert Enright
Get the latest from
Border Crossings
in your inbox
Sign Up