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Bodies and the How of Seeing
The Photographs of Hester Scheurwater and Lina Scheynius by Barry Schwabsky
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On Jon Pylypchuk’s Ghosts
Looking at Jon’s ghosts, made during the pandemic and cast in bronze, I feel again this grief that just won’t quit.
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“A Pea Can Be Chopped Up and Reassembled Into The Sun”
How is one assembled? How does one assemble themselves? What do we do when the pieces oppose one another?
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“Holding a line in your hand”
Amid all of the stress, strife and suffering there were admittedly a few bright spots and one of them surely had to be a painting exhibition titled “Holding a line in your hand” at the Kamloops Art Gallery.
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“Picasso: Painting the Blue Period”
They are, rather, the most straightforwardly humanist of any of Picasso’s paintings. They are meditations on what is most basic: flesh, food, drink, earth, sunlight. They depict human beings to sight, touch and taste.
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Bonavista Biennial
Organizing a festival during a pandemic must have been a massive logistical feat, but the experience of it almost allowed me to forget that.
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Patrick Dunford
It is in the slightly skewed, dominant and unstable perspective where the style comes closest to capturing the psychological terrain of deindustrialization: the loss of identity that comes with the loss of jobs and community and a solid sense of place.
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