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Charlene Vickers and Faye HeavyShield
Vancouver’s Contemporary Art Gallery’s (CAG) pairing of two solo shows, “Ancestor Gesture” by Charlene Vickers and “New Work” by Faye HeavyShield, appeared, on first viewing, strangely unequal.
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Tom Sachs
“In order to be a critic, you have to be a willing participant,” states Tom Sachs in the podcast feature of the Deichtorhallen Hamburg, where his latest exhibition, “Space Program: Rare Earths,” takes over the venue’s expansive 3,000-metres-square north hall.
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“A Section of Now: Social Norms and Rituals as Sites for Architectural Intervention”
“Architecture is always intended to be a mirror of society,” says curator Giovanna Borasi
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Rashid Johnson
At night, luminous white lines can be seen through the glass, suspended within an ambiguous volume and latched onto the building’s robust columns. The constituent parts of that volume blend with each other, merging into the cavernous darkness.
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“A Story in Three Parts”
The story, set in the early 1900s, has been passed down through multi-generational oral traditions, acquiring an almost mythical quality in its reiterative representation of human suffering and endurance in the material and spiritual worlds.
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New Museum Triennial: ” Soft Water Hard Stone”
“Soft Water Hard Stone” is the fifth edition of the Triennial at the New Museum in the Bowery, Lower East Side, Manhattan. This exhibition has always been known for showcasing a variety of talented emerging and early mid-career artists, and this current version has held to that practice.
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