December 2011
#120
Buy Now
Table of Contents
-
Bordernotes
- Werner Herzog: Waying Mythologies
-
Borderviews
- Barroco, We Hardly New You
- The Hundredizer: Ken Nicol
- A Stage of a Different Sort: Dil Hildebrand
- “Oh Canada”
-
Bordercolumn
- Moveable Feasts: “Pina,” directed by Wim Wenders
-
Project
- The Greg Curnoe Bike Project
-
Interviews
- What the Body Knows: Wim Wenders on the Art and Life of Pina Bausch
- The Story So Far: An Interview with Stephen Andrews
- The Story So Far: An Interview with Stephen Andrews
- Against Lust: An Interview with John Currin
-
Articles
- The Indecisive Moment: The Photography of Elaine Stocki
- Meditations on a Chair
- Lucidity: Inward Views
-
Essay
- What’s so funny ‘bout peace, love and Ab Ex Or on the peculiar problem of feeling almost nothin in front of masterpieces
-
Crossovers
- “The Colour of My Dreams: The Surrealist Revolution in Art”
- Joan Miró
- “Baker Lake Wall Hangings”
- “Inuit Modern”
- “Inuit Prints: Japanese Inspiration” and “Sweet Innovation”
- Ai Weiwei
- “The Fox”
- Daido Moriyama
- “null = 0. dutch avante-garde in an international context, 1961-1965”
- Berlinde De Bruyckere / John Currin
- “Frontrunners”
- “Up North”
- Liam Crockard
- Francis Alÿs
- Jeanie Riddle
- Rachael Tycoles
- “Haute Culture: General Idea – A Retrospective, 1969-1994”
- “The Point Is”
- “Rearview Mirror: New Art from Central and Eastern Europe”
