Table of Contents
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Bordernotes
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Werner Herzog: Waying Mythologies
Meeka Walsh
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Borderviews
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Barroco, We Hardly New You
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The Hundredizer: Ken Nicol
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A Stage of a Different Sort: Dil Hildebrand
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“Oh Canada”
J.J. Kegan McFadden
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Bordercolumn
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Moveable Feasts: “Pina,” directed by Wim Wenders
Robert Enright
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Project
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The Greg Curnoe Bike Project
Paul Butler
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Interviews
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What the Body Knows: Wim Wenders on the Art and Life of Pina Bausch
Robert Enright
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The Story So Far: An Interview with Stephen Andrews
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The Story So Far: An Interview with Stephen Andrews
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Against Lust: An Interview with John Currin
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Articles
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The Indecisive Moment: The Photography of Elaine Stocki
Daniel Baird
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Meditations on a Chair
Ross Woodman
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Lucidity: Inward Views
M.J. Thompson
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Essay
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What’s so funny ‘bout peace, love and Ab Ex
Or on the peculiar problem of feeling almost nothin in front of masterpieces
John Kissick
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Crossovers
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“The Colour of My Dreams: The Surrealist Revolution in Art”
Sarah Milroy
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Joan Miró
Martin Pearce
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“Baker Lake Wall Hangings”
Christine Walde
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“Inuit Modern”
Anna Kovler
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“Inuit Prints: Japanese Inspiration” and “Sweet Innovation”
Robin Laurence
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Ai Weiwei
Sarah Maloney
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“The Fox”
Rosemary Heather
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Daido Moriyama
Christopher Olson
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“null = 0. dutch avante-garde in an international context, 1961-1965”
Petra Halkes
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Berlinde De Bruyckere / John Currin
Tracy Valcourt
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“Frontrunners”
Amy Karlinsky
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“Up North”
Nancy Tousley
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Liam Crockard
Saelan Twerdy
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Francis Alÿs
M.J. Thompson
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Jeanie Riddle
Gary Michael Dault
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Rachael Tycoles
Alison Gillmor
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“Haute Culture: General Idea – A Retrospective, 1969-1994”
Earl Miller
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“The Point Is”
Gary Pearson
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“Rearview Mirror: New Art from Central and Eastern Europe”
Daniel Baird
