Meeka Walsh

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  The Synonym Revealer’s Life

  There is a playful sense of menace in Farber’s work. One blog entry includes a list of “Songs improved by replacing the word love with the word blood,” and among them is “Blood Me Tender,” a tune that reimagines Elvis Presley as a crooning vampire. The imminence of something that approximates tender bloodletting, and other kinds of chaos, is everywhere visible in Farber’s paintings and drawings. These activities are more genial than gruesome. Things forever teeter on the edge of some anticipated occurrence, the conditions and consequences of which are not immediately apparent.

• The Woman Who Ate Money: A Parable for Our Times

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  Too Little and Too Much, All the Time

  “You are aware of the fact that you are looking at something that you cannot describe: that you can only understand or not understand. So you are arriving at a knowledge that cannot be translated into words.”

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  Drawing the Dance of the Unfinished Story

  June Leaf

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  Doing Just the Right Wrong Thing

  Tom Sachs

• Gertrude Stein’s Dog

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  Dossier Why

  Imre Kertész’s memoir, Dossier K

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  Bas Jan Ader: Quicksilver and Gone

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  Imperfect Perfections

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  More Real than Reality

• Forming the Human

• A Mother’s Story, for Brief Moments, in Dreams: The Problems of Language

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