Meeka Walsh
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A Line Through Space, Through the Heart
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Caravaggio: The Desired Body Flares Like an Apparition
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Working Towards Affection: An Interview with Robert Longo
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The Gaze and the Guess: Fixing Identity in “Étant donnés”
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The Beautiful Trap: Janine Antoni’s Body Art
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Stutter: The Body and the Institution
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Dan Graham: Mirror Complexities
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A Pale Nimbus of Melancholy
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Natalka Husar: The Implication of Painting
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The Thread of Painting
There’s something about thread that’s as effective in reducing male assertions as Delilah’s scissors were on Samson’s hair. I think of British artist Anna Hunt who rendered iconic modernist architecture in six-by-eight inch satin-stitch embroideries, and here we’re looking at the work of Ghada Amer, who graduated in 1989 with a MFA in painting from a well-regarded school in Nice leaving with conflicted messages about the efficacy of a woman painting at all.
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Beholdering: The Subject of Beauty
Seduction, pleasure, the unseating of power, all those unmeasurable random responses, all that juice and all that joy — messy, unruly beauty.
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Edges of Resistance: The Language of Art in Louise Bourgeois and Nancy Spero
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