Meeka Walsh

• Caravaggio: The Desired Body Flares Like an Apparition

• Working Towards Affection: An Interview with Robert Longo

• The Gaze and the Guess: Fixing Identity in “Étant donnés”

• 

  The Beautiful Trap: Janine Antoni’s Body Art

• Stutter: The Body and the Institution

• 

  Dan Graham: Mirror Complexities

• A Pale Nimbus of Melancholy

• Natalka Husar: The Implication of Painting

• 

  The Thread of Painting

  There’s something about thread that’s as effective in reducing male assertions as Delilah’s scissors were on Samson’s hair. I think of British artist Anna Hunt who rendered iconic modernist architecture in six-by-eight inch satin-stitch embroideries, and here we’re looking at the work of Ghada Amer, who graduated in 1989 with a MFA in painting from a well-regarded school in Nice leaving with conflicted messages about the efficacy of a woman painting at all.

• Beholdering: The Subject of Beauty

  Seduction, pleasure, the unseating of power, all those unmeasurable random responses, all that juice and all that joy — messy, unruly beauty.

• Edges of Resistance: The Language of Art in Louise Bourgeois and Nancy Spero

• Every Frame A Photograph: Shirin Neshat in Conversation

• 6
• 7
• 8
• 9
• 10

Haven’t found what you're looking for? Explore our index for material not available online.