Meeka Walsh

• Indifference and Donkeys, A Tale

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  Possibly, Everything: An Interview with Robert Frank

  Robert Frank has always produced books of photographs. He made his first one, “40 Fotos”, in 1946, a spiral-bound, single edition of 40 images he’d taken between 1941 and 1945 and assembled as a portfolio he would use in seeking employment. It accompanied him on his trip to New York in 1947 and helped him secure work with Alexey Brodovitch at Harper’s Bazaar. In 1953 he produced “Black White and Things”, an edition of three. That book mapped the course Robert Frank would follow in all the work he did. Everything is there: the place of memory, the use of sequencing, a reliance on intuition, the rigour and emotional courage of poetry—and trusting and leaving space for the viewer.

• The City in Decline: Dreaming of Mickey Mouse

• Behind Our Eyelids, Dreaming

  The state of dreaming, the carrier for obscure content whose meaning and full description eludes us, the event of it, the gap we seek to close without ever intending to, that particular sensation is much desired. An indrawn breath away, a substance heavier and solider than air, an etheric suspension so endlessly sought after its label should caution, “opiate.” This space we can and can’t achieve is always individual; collective dreaming, and longing is something more akin to propaganda and is manufactured. What I’m meaning to describe is personal.

• The Splendid Life of Feeling

• A Handle, on Building

• Werner Herzog: Waying Mythologies

• Colour His World: The Photography of Fred Herzog

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  Claude Cahun: Travelling in the Prow of Herself

• Georges Perec: Soft Chalk and Pigeons

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  Fetishizing the Visual: An interview with Mika Rottenberg

  Mika Rottenberg

• A Line Through Space, Through the Heart

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