Helen DeWitt and Robert Walser
The market is a mean destructive place. The motivation each
day to lift the flaps, wind the blinds, unlatch the metal
screens and draw back the locked gates in the the market’s
shops is greed.
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An Interview with Marlene Dumas
A small new painting by Marlene Dumas in the first room of her recent exhibition “Myths & Mortals” at David Zwirner in New York seemed, by dint of its strange force, to pull all attention to itself.
It gave me no end of pleasure, a frisson of pleasure, to have come, many years ago, upon the fact that my grandfather, born on July 15, 1892, shared a birth day with Walter Benjamin.
Image and Object in the Art of Erin Shirreff
It’s my sense that engaging with Erin Shirreff’s work involves an act of faith. Her proposition that time is the elemental dimension in the embodiment of her works, that is, in bringing them into being, is one with which we agree if we commit to her work.
For this period, detachment is the state of things. Easier, safer, recommended. No noisy, unmanageable, untidy passions. No individual cluttered urgencies with ends and tags askew. Each her own island country, complete and selfsufficient, an isolationist policy in place for all.
Unmaking Strange
With a head full of the Irish folk stories on which she was raised and her own adept young mind inclined to the metaphysical, to which was added the enchantment of a world filled with all the possibilities Keep Reading
Richard Serra’s Sculpture and Drawings
Richard Serra told us that he came to a place in his work where he didn’t want people to be simply looking at a single object; he wanted them to experience the work by going through it.
This story has been told before. It’s largely an urban romance, for a number of reasons. In one telling gold coins are involved and this implies structures…
Musings of an Edge-of-Towner
“It’s a constant theme for me: the struggle between the desire to be right and the desire to be wrong. I think it’s all just wanting to be true. And what is true and correct and right in art is often wrong in the world.”—Lisa Yuskavage
Close Encounter of a Biographical Kind
Chris Kraus has written her seventh book, called ‘After Kathy Acker: A Literary Biography’, which Semiotext(e) will publish this month. Readers can’t help but be engaged by subject and writer. It is an indispensable book. Keep Reading
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