Meeka Walsh

• This Is Memory

• Janet Malcolm: Still Angry After All These Years

• I Despair, Annie Ernaux

• Insomnia, the Thin Skin of Sleep

• Vigdis Hjorth: mothering, the wound of remembering

• Dog, Drifting

• Writing, Itself

• Sleepy Time with Henri Michaux

• Writing, Being Here and There

• Photographs, A Story

  So, imagine finding, just happening upon such a roll or spool of undeveloped film. From before digital. A taut canister of a photo record of someone’s intentions. You could tell it. It could go like this.

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  Ends and Beginnings: The Generative Photographs of Nan Goldin

  In the interview that follows, “beauty” is spoken. Goldin says, about her photographs from Eden and After, “I desire the beauty. I’m attracted to people who are beautiful. And my people are all kinds of beautiful.”

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  Belle Lettrists: Nicola Tyson, Maria Lassnig, Amy Sillman

  I have two very particular books of letters on my desk. Particular in that neither is the collected correspondence of one writer in touch with a number of recipients over time, nor gathered together to reflect the breadth of the recipients, nor the myriad points of connections the writer made in a lifetime, nor focused on an event of significance—a crisis lived through and reported on, personal or universal. More particular than that.

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