Articles

A Certain Kind of Animal Energy
Outdoor School: Contemporary Environmental Art

By activating single points on a much larger rhizome or sentient network, Borsato and Morrell encourage conversation and natural immersion.
Randall Anderson

In the case of Randall Anderson’s recent exhibition, “New Work ….. from the 80s,” the artist casts his attention backward by four decades, revisiting old images and ideas in a new body of work.
“Kline & Kolakis”

If there is a theme to this exhibition, it is that of an emptiness where memory and its play within perception allow for a subtly nuanced intimacy, usually referred to as “aesthetic” experience.
“Greater Toronto Art 2021”

In response to the question posed by the Museum of Contemporary Art (MOCA) to 21 artists and art collectives—“ What seems most urgent to you now?”—a flurry of answers surfaced.
Katie Lyle

“What do you think? From the beginning people like this have never managed, whether on their own or with the help by others, to see anything besides the shadows that are [continually] projected on the wall opposite them by the glow of the fire.”
“The Infernal Grove”

Each speaker, in recounting their experience of addiction and drug taking, their experience of the illegal drug economy, of incarceration and sanction, eschews shame, apology, or regret.
Ben Woolfitt

Woolfitt draws every day, usually starting around 6:00 a.m. He sees this early hour as a time when “you’re as close to the sleep state as you can be, and you’re not really involved in a thought process.”
Still Life: Max Dean’s Forceful Imminence
Bad Luck Banging, Great Luck Filming
Writing, Being Here and There
William Kentridge

Beneath all the absurdity—a big disembodied nose strutting around the tower, riding on horseback, ascending a rickety stairway towards a podium only to fall off it and ascend again— what is really being expressed here are sorrow and dismay.

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