Articles

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  Miriam Cahn

  Swiss artist Miriam Cahn’s exhibition “ME AS HAPPENING” occupies both floors of The Power Plant, a rare accommodation for a venue that generally hosts multiple artists.

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  Candice Breitz

  There actually are 1,001 pieces of videotaped film in the boxes, though we can’t find out what they are without destroying them as artworks.

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  Cliff Eyland

  The Library of Babel, if indeed it did exist, would be an infinite labyrinthine space of boundless freedom, much like the space Eyland created for himself within his practise: the room to operate in whatever way he pleased.

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  Buffy Sainte-Marie

  Sainte-Marie’s work opens up what she calls—in reference to her treatment of Indigenous themes through new media—an “alter-native” dimension.

• Nature and Normativity

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  Barbara Steinman: Keeping Time

• Shadowland

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  Postcommodity Tells Time

  Place is one of the most significant determining contexts through which you can position an idea or try to make meaning around a set of ideas and propositions

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  Barry Schwabsky’s PictureLibrary: Changes of Focus

  In my brain something had shifted before I’d realized it. As a change of focus can make nearer things seem nearer and farther ones even more distant, the pandemic made necessary things more necessary, superfluous ones totally dispensable.

• Weed Killer Into the Weeds: Dewayne “Lee” Johnson vs. Monsanto Company

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  The Art of Nature: Edward Burtynsky’s “Natural Order”

  Our neuro systems, our vascular systems and our nervous systems are all branches. They’re all complex, interwoven branches of supply chains that send life to our extremities, like the branches and the bushes do to the leaves. I was looking at nature almost as if I were looking at the structures of our inner body.

• Sleepy Time with Henri Michaux

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