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Issue 155
November 2020 – Volume 39, Number 3
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Border Notes
Through the Eyes of Another: Black and Visible
Meeka Walsh
Border Views
The Painter’s Language and the Language of Painting
Amy Sillman
Border Column
Cinema Like the Music
“Love Is The Message, The Message Is Death” directed by Arthur Jafa
Robert Enright
Interviews
History Maker
An Interview with Stan Douglas
Robert Enright
Pressure on Verbal Matter
Dionne Brand and the Making of Language
Robert Enright
Esmaa Mohamoud
Game Changer
Robert Enright, Meeka Walsh
The Song of Her Self
The Irrepressible Art of Tschabalala Self
Robert Enright, Meeka Walsh
Articles
The Unstoppable Paintings of Philip Guston
David Elliott
Quilt World
Rosie Lee Tompkins and the Ordinary Sublime
Daniel Baird
Donald Judd
Sotirios Kotoulas & Karline Moeller
Studies of Vacancy
Kim Ondaatje and the House on Piccadilly Street
Renée van der Avoird
Poetry
Three Poems
by Chimwemwe Undi
Chimwemwe Undi
Crossovers
“Àbadakone / Continuous Fire”
Tammer El-Sheikh
‘SIXSIXSIX’ by Samuel Fosso
Luther Konadu
Joani Tremblay
“What Makes Life Worth Living”
James D. Campbell
Rick Leong
Farid Djamalov
“Madiha Aijaz: Memorial for the lost pages” Althea Thauberger, Pagal Pagal Pagal Pagal Filmy Duniya
Robin Laurence
‘Molatham’ by Scott Caruth
Alexandra Symons Sutcliffe
Taqralik Partridge, curved against the hull of a peterhead
Jesse Ruddock
Hinterland Remixed: Media, Memory, and the Canadian 1970s’ by Andrew Burke
Sarah Sheehan
Moyra Davey Index Cards
Mitch Speed
“Relations: Diaspora and Painting”
Cameron Skene
“Agnes Pelton: Desert Transcendentalist”
Joseph R. Wolin
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