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Issue 151 – Painting
September 2019 – Volume 38, Number 3
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BORDERNOTES
Nancy Spero: Grit and Grace
Meeka Walsh
BORDERVIEWS
Magic Carpeting
Beautiful Monsters
The World in a Sanded Grain
BORDERCOLUMN
The Best Damn Way to Write History “Mike Wallace Is Here,” directed by Avi Belkin
Robert Enright
INTERVIEWS
Reverberating Images
The Various Arts of Wangechi Mutu
A History of the Painter’s Heart
an Interview with Ross Bleckner
The Garden and the Jungle
an Interview with Neo Rauch
The Place of Painting
Interviews with Alex Janvier, Tammi Campbell and Magalie Guérin
The Beautiful Lament
An Interview with Wanda Koop
ARTICLES
Her and You
The Changing Language of Tracey Emin’s New Paintings
Barry Schwabsky
Other Pluralities
The Painting and Photography of Elaine Stocki
Stephen Horne
Close Stitching
The Intimate Delight of Janet Nungnik’s Textile Art
Robin Laurence
Writings on the Wall
Reading the 2019 Venice Biennale
Gregory Burke
Infra-Mincers
Visibling the invisible in the Art of Fernand Leduc, Louis Comtois and Larissa Tiggelers
E.C. Woodley
Of Prayer Wheels & Day-Glo
Some Thoughts on Painting, Writing, and Intention
John Kissick
CROSSOVERS
Joseph Tisiga
Robin Laurence
Georg Baselitz
Paul Carey-Kent
Vic Cicansky
Sandee Moore
Helen Escobedo
Martin Pearce
Will Gill
Jennifer McVeigh
“Our Happy Life: Architecture and Well-Being”
James D. Campbell
Matt Schust
Greg Denton
Les Ramsay
Edwin Janzen
“Sense of Site”
Ray Cronin
Trevor Kiernander
Edwin Janzen
“Lines of Difference: The Art of Translating Islam”
Cliff Eyland
Mira Schor
Kim Dhillon
Laura Findlay
Ruth Jones
Don Proch: Masking and Mapping
Amy Karlinsky
Martin Pearce
John Nyman
Monica Tap
Daniel O’Quinn
Helen Marten
Jasmine Reimer
Gillian King
Rhiannon Vogl
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