August 2009
#111
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Table of Contents
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BORDERNOTES
- Beholdering: The Subject of Beauty
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BORDERVIEWS
- The Root of Painting: Derek Root
- Threads of Meaning: Richard Boulet
- Pleasurable Labours: Jeremy Hof
- Lady Maximus: Allyson Mitchell
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BORDERCOLUMN
- Making Angels Weep: “End of the Line,” directed by Rupert Murray
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INTERVIEWS
- The Thread of Painting An Interview with Ghada Amer
- The Visual Gate: Entering the Place of Painting: An Interview with Will Gorlitz
- Making Connections, Taking Connections Apart: An Interview with Krisjanis Kaktins-Gorsline
- Brilliant Rejects: An Interview with Allison Schulnik
- Tributary Art: A Conversation with Andre Ethier
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ARTICLES
- Connectivities: Aesthetic Practice in Walter Redinger and David Urban
- Natalka Husar: The Implication of Painting
- Joseph Plaskett: Paris’s Moveable Feast
- The Tumult of Landscape: Michael Smith’s Painted World
- Painting in the Interrogative Vein: The Recent Work of Sue Williams
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ESSAY
- Reconciling with the Ex: “A Pictures Generation” Confessional
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CROSSOVERS
- Dorothy Knowles
- Iain Baxter&
- Mark DeLong
- “Project for a New American Century”
- Susan Rothenberg
- Sylvia Matas
- “Agrarian Worlds: Colette Balcean and Tim Schouten”
- Martin Kippenberger
- Christos Dikeakos
- William Kentridge
- “The Winter Vault,” by Anne Michaels
- Robert Youds
- Ian Wallace
- Clay Ellis
- “Projections: A major survey of projection-based works in Canada, 1964-2007”
