June 2013
#126
Cover: Shary Boyle, “The Widow”, 2013, porcelain, glaze, hand-woven netting, 35 x 25 x 25 cm. Courtesy the National Gallery of Canada. Photography: © Rafael Goldchain, 2013.
Buy NowTable of Contents
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Bordernotes
- A Mother’s Story, for Brief Moments, in Dreams: The Problems of Language
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Borderviews
- Animation Noir
- Hewer and Drawer
- Home Body
- Runwaterrun
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Bordercolumn
- Trace Elements: Spring and Arnaud, directed by Marcia Connolly and Katherine Knight
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Interviews
More Real than Reality An Interview with Shary Boyle - Forming the Human An Interview with Karel Funk
- Imperfect Perfections The Art of Julia Dault
- Outposting, Edgings Towards Art and Science An Interview with Charles Stankievech
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Articles
- Someone Something Nothing: Some Thoughts on Janet Werner’s Recent Paintings
- Beth Stuart: Rapture Rupture Raptor
- Michael Morris: Of Words, Wiliness and Wisdom
- Landscapes of the Inner Self: The Art of Tim Gardner
- Sky Glabush: Facing the Mysterious
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Essay
- The Ineluctable East
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Portfolios
- Face Value: The Drawings of Jutai Toonoo
- Intimacy’s Awkward Beauty, Sarah Anne Johnson
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Poetry
- 3 Poems by Catherine Greenwood
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Crossovers
- Kelly Richardson
- Melanie Authier
- Janet Cardiff
- “Natural Motif: Lorraine Gilbert and Natasha Mazurka”
- Jon Sasaki
- Patrick Howlett
- Emmy Skensved
- “Border Cultures: Part One (homes, land)”
- Cliff Eyland
- Kelly Jazvac & Kelly Wood
- Gerard Byrne
- “NYC 1993: Experimental Jet Set, Trash and No Star”
- Garry Neill Kennedy
