December 2012
#124
Featuring Robert Frank, Patti Smith, John Massey, the Black Start photo agency, and more.
Buy NowTable of Contents
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Bordernotes
- The City in Decline: Dreaming of Mickey Mouse
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Borderviews
- Show and Tale: Ming Hon’s “The Exhibitionist”
- Impossible Architectures Martin Golland’s “The Archivist’s Etagere”
- Shantytown redux: Karine Giboulo’s “Democracy Village”
- Artifactotems: Drawings of Ted Barker
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Bordercolumn
- Headgames: Deco Dawson’s “Ne crane pas sois modeste (keep a modest head)”
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Interviews
- Space Stories: An Interview with Mike Nelson
- Dumbfounded by the Box: Frank Fantauzzi & Charlie O’Geen
- Alona Rodeh and the Art of Camouflage
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Articles
- Layer Upon Layer of Absences: The Films of Yael Bartana
- Assertive Possibilities: Alighiero Boetti and Arte Povera
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Crossovers
- Review of Seth Woodyard’s “Good Work”
- Review of “A ciel ouvert: Le Nouveau pleinairisme”
- Review of Gary Spearin’s “iNifiNiTi” and “PAINTING BEYOND a body of views”
- Review of Tom Ngo’s “Let It It Be”
- Review of Marion Wagschal’s “Works on Paper”
- Review of Taryn Simon’s ” A Living Man Declared Dead and Other Chapter I - XVII”
- Review of “Earth Art 2012”
- Review of “Foire d’art alternatif de Sudbury”
- Review of “Van Gogh: Up Close”
- Review of “Zoo”
- Review of “Sanaz Mazinani: Frames of he Visible”
- Review of “Atomic Suite: An Exhibition by Mary Kavanagh”
- Review of “Deb Thompson: Tales From the Underworld”