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Issue 124 – Made and unMade
December 2012 – Volume 31, Number 4
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Bordernotes
The City in Decline: Dreaming of Mickey Mouse
Meeka Walsh
Borderviews
Show and Tale: Ming Hon’s “The Exhibitionist”
Impossible Architectures: Martin Golland’s “The Archivist’s Etagere”
Shantytown redux: Karine Giboulo’s “Democracy Village”
Artifactotems: Drawings of Ted Barker
Bordercolumn
Headgames: Deco Dawson’s “Ne crane pas sois modeste (keep a modest head)”
Robert Enright
Interviews
Space Stories: An Interview with Mike Nelson
Robert Enright
Dumbfounded by the Box: Frank Fantauzzi & Charlie O’Geen
Robert Enright
Alona Rodeh and the Art of Camouflage
Robert Enright, Meeka Walsh
Articles
Layer Upon Layer of Absences: The Films of Yael Bartana
E.C. Woodley
Assertive Possibilities: Alighiero Boetti and Arte Povera
Daniel Baird
Crossovers
Review of Seth Woodyard’s “Good Work”
Jenny Western
Review of “A ciel ouvert: Le Nouveau pleinairisme”
Sarah Milroy
Review of Gary Spearin’s “iNifiNiTi” and “PAINTING BEYOND a body of views”
Joscelyn Gardner
Review of Tom Ngo’s “Let It It Be”
Krystina Mierins
Review of Marion Wagschal’s “Works on Paper”
James D. Campbell
Review of Taryn Simon’s ” A Living Man Declared Dead and Other Chapter I - XVII”
Tracy Valcourt
Review of “Earth Art 2012”
Robin Laurence
Review of “Foire d’art alternatif de Sudbury”
Raymond Aubin
Review of “Van Gogh: Up Close”
Gary Michael Dault
Review of “Zoo”
James D. Campbell
Review of “Sanaz Mazinani: Frames of he Visible”
Gary Michael Dault
Review of “Atomic Suite: An Exhibition by Mary Kavanagh”
John O’Brian
Review of “Deb Thompson: Tales From the Underworld”
Tom Hardy
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