“Memory is the crux of my practice,” says Toronto-based printmaker, sculptor and installation artist Emma Nishimura. When she interrogates how memory functions in her work, a series of questions emerge: “How do we share it, how does it weigh on us, how do we pass it on?” Nishimura, who won the prestigious Queen Sonja Print Award in 2018 from a list of 42 nominated printmakers around the world, is currently one of eight artists included in a compelling exhibition at the ROM called “Being Japanese Canadian: Reflections on a Broken World.” Keep Reading
Lois Andison has a particular interest in concrete poetry because it is both visual and textual. Her tree of life is the 11th installation in the smallest and highest art gallery in Canada, the BMO Project Room. Situated on the 68th floor of the Bank of Montreal tower in downtown Toronto, the 8.11 x 17 x 9-foot space was conceived by Dawn Cain, the curator of the bank’s Corporate Art Collection. She also selects each project. Keep Reading
In 1952 Akbar Padamsee, a 24-year-old painter from Bombay, was awarded an art prize by André Breton in Paris for his painting Woman with Bird. It was a signal event in a life that took him back to India, where he set about to create a dialogue between artists in his country and the international avant-garde. From 1969 to 1972 in Delhi and Bombay, he established the Vision Exchange Workshop (VIEW) to further that interdisciplinary conversation. It met with mixed results in India, but his naming and vision have been picked up in Canada by curators Catherine Crowston from the Art Gallery of Alberta and Jonathan Shaughnessy from the National Gallery of Canada for “Vision Exchange: Perspectives from India to Canada,” an exhibition that opened last September at the AGA and that is currently on view at the Art Museum at the University of Toronto, where it will remain through March 23 of this year. (It will then tour to the Winnipeg Art Gallery, the MacKenzie Art Gallery in Regina and the National Gallery in Ottawa until 2020.) Keep Reading
In 2014, after living in Brooklyn for 10 years, the Canadian painter Beth Letain moved to Berlin. She has always lived and worked in the neighbourhood around Kreuzberg, an area she describes as “a little shabby and literally covered in graffiti and posters. I find it especially enjoyable because it means there are a lot of people here marking things.”
Haven’t found what you're looking for? Explore our index for material not available online.