Robin Laurence
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The Grand Synthesizer
Bordered by tangled vegetation, the scene is full of the natural energy and cultural incident that compel Smith’s eye, although he insists that he is giving up representational painting. He repeats that intention three times, like a mantra, and then indicates a crowd of recently completed canvasses, leaning against the far wall.
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Airplanes, Figure-Skaters, Football Players and High-Heeled Shoes
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Rebecca Belmore
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