Mid-career Brazilian artist Cinthia Marcelle (born Belo Horizonte, 1974) first came to my attention for photographs she’d made together with the South African artist Jean Meeran, in which Marcelle disappeared into the landscape, dressed in a cape with matching colours so that self and city elided (“Capa Morada”, 2003). Keep Reading
Erica Eyres’s short films tend to hint at stories which are hard to pin down, and do so with a certain awkwardness which may arise naturally and which Eyres chooses not to edit out. She prefers to embrace an aesthetic which seems somewhat amateur and slightly off-kilter but is still visibly produced, more akin to bad TV or instructional videos than to the home products of the Internet. Keep Reading
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