Articles

Vim and Vigour

WIM DELVOYE is a master of the in-between. For 20 years he has been making art that is (at least) two things at once, and in the process has produced a body of work that is uncompromisingly witty and irascible.
Learning from Objects: An Interview with David Altmejd
Time and Paint
Sexy Boy

Cliff Eyland is an art-world Imp of the Perverse. In Edgar Allen Poe’s formulation, the imp was “an innate and primitive principle of human action, a paradoxical something, which we may call perverseness.” The fit is a good one, as long as you understand that the term primitive has nothing to do with a lack of sophistication. It comes closest to meaning ungoverned, or, more accurately, ungovernable. As he says in the following interview, his attitude has never been to get people to accept his work, but rather, “try to stop me making this stuff.”
From Flesh to Stone: The Photography of Ralph Gibson
Pleasure Principals: The Art of Janet Cardiff and George Bures Miller

Janet Cardiff and George Bures Miller have created, each in their particular way, a contemporary version of son et lumière. Not for the sake of spectacle, although the theatrical is a tool they find engaging and functional, having used it to good effect in many of their pieces. In fact, Janet Cardiff’s voice in your ears, winding through your cochlea, insinuating itself thoroughly into your cognitive operations, is as theatrical an event as the average person would wish to experience.
Frank Speaking: An Interview with Robert Frank

Robert Frank’s newest video, The Present, opens with a shot of a window in his Mabou, Nova Scotia house beyond which you catch intimations of the Cape Breton landscape. As you watch the essentially static frame, you hear Frank’s voice saying, “I’m glad I found my camera. Now I can film,” but immediately the doubt begins.
The Shortcomings of Love
Style and Radical Will

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