Articles

• Robert Youds

• “The Winter Vault,” by Anne Michaels

• Iain Baxter&

• Reconciling with the Ex: “A Pictures Generation” Confessional

• Painting in the Interrogative Vein: The Recent Work of Sue Williams

• The Tumult of Landscape: Michael Smith’s Painted World

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  Joseph Plaskett: Paris’s Moveable Feast

• Natalka Husar: The Implication of Painting

• Tributary Art: A Conversation with Andre Ethier

• The Visual Gate: Entering the Place of Painting: An Interview with Will Gorlitz

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  The Thread of Painting

  There’s something about thread that’s as effective in reducing male assertions as Delilah’s scissors were on Samson’s hair. I think of British artist Anna Hunt who rendered iconic modernist architecture in six-by-eight inch satin-stitch embroideries, and here we’re looking at the work of Ghada Amer, who graduated in 1989 with a MFA in painting from a well-regarded school in Nice leaving with conflicted messages about the efficacy of a woman painting at all.

• Making Angels Weep: “End of the Line,” directed by Rupert Murray

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