Articles
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Simon Hughes
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Something is Something Else
“I’m interested in these dissonant realities. When we see beauty we want to be able to quantify, domesticate, understand and protect it, but we also want to violate it. I have always had a really bizarre relationship with beauty.”
—Chloe Wise
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Self-Solving
“I started to draw a female body from the perspective of having one rather than looking at one, it being my home.”
—Nicola Tyson
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The Multitudinous See
A collision can be many things. In collage it’s the overlay and the edges, the abutment that either creates or disassembles meaning. In a rapid succession of film edits the collision of images interrupts and then creates narrative.
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Being and Somethingness
Wanda, the brilliant feature-length film written and directed by Barbara Loden in 1970, in which she plays the eponymous character, has been on a welcome road to rediscovery.
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Archeology of the Future
“I see the sculptures as self-portraits, especially because they are so bodily,” says Toronto-based artist Jasmine Reimer
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The Body and Its Beautiful Damage
Evan Penny is not a storyteller. Over the last 35 years the Toronto-based sculptor has established an international reputation for making portraits of compelling variety and virtuosity.
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A Moral Place in the World
Incredulous, exhausted by disbelief I, among others, find myself speechless in this time when the necessity for speech is urgent. - Meeka Walsh
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Studio Worker
William Basinski, the Los Angeles-based experimental electronic composer will be one of the Guest Composers at the 2017 Winnipeg Symphony Orchestra’s New Music Festival in January. He will perform The Deluge and will participate in the 12 Hour Drone Festival. William Basinski spoke to Border Crossings in November, 2016 for the Borderview section of the magazine. What follows is an extended version of that conversation.
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The Voice of Moving Meditation
“I don’t think utterance was just grunting, but a very nuanced set of sounds. I think music goes deeper than language. That is why I have had the privilege to do my music all over the world, because people don’t have to go through the filter of language to understand the music or respond to it emotionally.” — Meredith Monk
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Breath Taker
From the time her father took her to see the John Carpenter movie The Thing, 1982, when she was nine years old, her imagination has been captivated by films that are most entertaining when they are most anxiety-provoking…
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The Natural Entropy of Things
Stephen Waddell’s book Hunt and Gather, published in 2011 by Steidl in Germany, is descriptive, by title, of his process and intention. It isn’t anthropological in referring to stages in the development of homo sapiens, making our way; it describes instead Waddell’s preference, pursuit and methodology…
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