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Issue 141
March 2017 – Volume 36, Number 1
Bordernotes
A Moral Place in the World
Meeka Walsh
Borderviews
The Body and Its Beautiful Damage
Archeology of the Future
Bordercolumn
Being and Somethingness
Wanda, directed by Barbara Loden, 1970
Robert Enright
Interviews
The Multitudinous See
An Interview with Geoffrey Farmer
Robert Enright, Meeka Walsh
Self-Solving
The Enigmatic Art of Nicola Tyson
Robert Enright
Something is Something Else
An Interview with Chloe Wise
Robert Enright
Articles
La Biennale de Montréal 2016
Le Grand Balcon
Stephen Horne
Spinning Fables
The Art of Francis Alÿs
Georgia Phillips-Amos
Portfolios
Drawing on Ambiguity
A Portfolio by Ted Barker
Meeka Walsh
Crossovers
Simon Hughes
Craig Love
Meryl McMaster
Manon Gaudet
“Postwar: Art Between the Pacific and the Atlantic, 1945-1965”
Robert Epp
Ydessa Hendeles
Jill Glessing
Ted Barker
Benjamin Klein
Nika Fontaine
Benjamin Klein
Elaine Stocki
Anna Kovler
“Superimposition: Sculpture and Image”
Erika Mendritzki
Bharti Kher
Robin Laurence
“Matisse/ Dibenkorn”
Martin Pearce
Divya Mehra
Angela Henderson, Solomon Nagler
Kevin Kelly
Shep Steiner
“32nd Sāo Paulo Biennale, “Incerteza Viva”
Jon Tupper, Alexander Pilis
Leigh Bridges
Ben Portis
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