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Author: Robert Enright

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Title: Empyrrhic Evidence: “The Gatekeepers,” directed by Dror Moreh
Author: Robert Enright
Date: March 2013
Issue: Volume 32, Number 1: Photography (#125)
Section: Bordercolumns
Title: Possibly, Everything: An Interview with Robert Frank
Author: Robert Enright, Meeka Walsh
Date: March 2013
Issue: Volume 32, Number 1: Photography (#125)
Page: 22-37
Section:
Title: Dumbfounded by the Box: Frank Fantauzzi & Charlie O’Geen
Author: Robert Enright
Date: December 2012
Issue: Volume 31, Number 4: Made and unMade (#124)
Section: Interviews
Title: Headgames: Deco Dawson’s “Ne crane pas sois modeste (keep a modest head)”
Author: Robert Enright
Date: December 2012
Issue: Volume 31, Number 4: Made and unMade (#124)
Section: Bordercolumns
Title: Alona Rodeh and the Art of Camouflage
Author: Robert Enright, Meeka Walsh
Date: December 2012
Issue: Volume 31, Number 4: Made and unMade (#124)
Section:
Title: Space Stories: An Interview with Mike Nelson
Author: Robert Enright
Date: December 2012
Issue: Volume 31, Number 4: Made and unMade (#124)
Section: Interviews
Title: Father Courage: Ai Weiwei: Never Sorry, directed by Alison Klayman
Author: Robert Enright
Date: August 2012
Issue: Volume 31, Number 3: Dreams and the Spaces In Between (#123)
Section: Bordercolumns
Title: Showing Nothing, Showing Everything
Tommy Hartung’s Search for the Sublime
Author: Robert Enright
Date: August 2012
Issue: Volume 31, Number 3: Dreams and the Spaces In Between (#123)
Section: Interviews
Title: A Constellation of Narratives: Dreaming the History of Lost Cinema
Author: Robert Enright
Date: August 2012
Issue: Volume 31, Number 3: Dreams and the Spaces In Between (#123)
Page: 30-45
Section: Interviews
Subject: Guy Maddin
Title: Designs on Life: An Interview with Arnaud Maggs
Author: Robert Enright
Date: May 2012
Issue: Volume 31, Number 2: Arnaud Maggs (#122)
Section: Interviews
Title: Painting’s Secrets: Gerhard Richter Painting, directed by Corinna Belz
Author: Robert Enright
Date: May 2012
Issue: Volume 31, Number 2: Arnaud Maggs (#122)
Section: Bordercolumns
Title: Directing the Truth: An Interview with Albert Maysles
Author: Robert Enright
Date: May 2012
Issue: Volume 31, Number 2: Arnaud Maggs (#122)
Page: 68-78
Section: Interviews
Title: Willem de Kooning: Women on the Themes of Painting - Conversations with Cecily Brown, April Gornik,
Author: Robert Enright
Date: February 2012
Issue: Volume 31, Number 1: Willem de Kooning (#121)
Section: Interviews
Title: The General with the Dragon Tattoo: Corolanius, directed by Ralph Fiennes
Author: Robert Enright
Date: February 2012
Issue: Volume 31, Number 1: Willem de Kooning (#121)
Section: Bordercolumns
Title: Moveable Feasts: “Pina,” directed by Wim Wenders
Author: Robert Enright
Date: December 2011
Issue: Volume 30, Number 4: John Currin (#120)
Page: 22-23
Section: Bordercolumns
Subject: “Pina,” directed by Wim Wenders
Title: What the Body Knows: Wim Wenders on the Art and Life of Pina Bausch
Author: Robert Enright
Date: December 2011
Issue: Volume 30, Number 4: John Currin (#120)
Page: 24-31
Section: Interviews
Subject: Wim Wenders and Pina Bausch
Title: Useless Beauty
“Life in A Day,” directed by Kevin Macdonald
Author: Robert Enright
Date: September 2011
Issue: Volume 30, Number 3: Photography (#119)
Page: 24-25
Section: Bordercolumns
Subject: “Life in A Day,” directed by Kevin Macdonald
Title: The Presents of Film: Guy Maddin and John Waters in Conversation
Author: Robert Enright
Date: May 2011
Issue: Volume 30, Number 2: Brian Jungen (#118)
Page: 54-67
Section: Interviews
Subject: Guy Maddin and John Waters
Title: The Tortoise and the Air: An Interview with Brian Jungen
Author: Robert Enright
Date: May 2011
Issue: Volume 30, Number 2: Brian Jungen (#118)
Page: 20-36
Section: Interviews
Subject: Brian Jungen
Title: The Aim of Artists
“KOOP: The Art of Wanda Koop,” directed by Katherine Knight and “Bull’s Eye: A Painter on the Watch,” directed by Bruno Boulianne
Author: Robert Enright
Date: May 2011
Issue: Volume 30, Number 2: Brian Jungen (#118)
Page: 18-19
Section: Bordercolumns
Subject: “KOOP: The Art of Wanda Koop,” directed by Katherine Knight and “Bull’s Eye: A Painter on the Watch,” directed by Bruno Bouliann
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