Index Search Results

Author: Petra Halkes

40 results

Title: Robert Kananaj
Author: Petra Halkes
Date: August 2003
Issue: Volume 22, Number 3: Drawing A Fine Line (#87)
Page: 100
Section: Crossovers, Reviews
Subject: Robert Kananaj’s exhibition “Untitled Line” at the offthemap gallery in Toronto
Title: Hendrick Goltzius
Author: Petra Halkes
Date: August 2003
Issue: Volume 22, Number 3: Drawing A Fine Line (#87)
Page: 80-81
Section: Crossovers, Reviews
Subject: “Hendrick Goltzius (1558-1617) Drawings, Prints and Painting” at the Rijksmuseum in Amsterdam
Title: Wanda Koop
Author: Petra Halkes
Date: February 2003
Issue: Volume 22, Number 1: William Wegman (#85)
Page: 60-61
Section: Crossovers, Reviews
Subject: “Recent Paintings” by Wanda Koop, at the Leo Kamen Gallery in Toronto
Title: Michael Boss and Leslie Thompson
Author: Petra Halkes
Date: November 2002
Issue: Volume 21, Number 4: Natural Reflections (#84)
Page: 84-86
Section: Crossovers, Reviews
Subject: “Origins: Two Installations,” by Michael Boss and Leslie Thompson at the Justina M. Barnicke Gallery, University of Toronto
Title: Lynne Cohen
Author: Petra Halkes
Date: August 2002
Issue: Volume 21, Number 3: Figures and Faces (#83)
Page: 94-95
Section: Crossovers, Reviews
Subject: “No man’s land. The photographs of Lynne Cohen” organized by the National Gallery of Canada and the Musée de l’Élysée
Title: Beauty Marks
Author: Petra Halkes
Date: May 2002
Issue: Volume 21, Number 2: Ralph Gibson (#82)
Page: 38-43
Section: Articles
Subject: “The Beauty of Evil” at De Zonnehof, the Armando Museum and the FotoForum
Title: Spring Hurlbut: White Exploits
Author: Petra Halkes
Date: August 2001
Issue: Volume 20, Number 3: Allan McCollum (#79)
Page: 84-85
Section: Crossovers, Reviews
Subject: “The Final Sleep/Le Dernier Sommeil: An Installation by Spring Hurlbut” at the Royal Ontario Museum
Title: The Diefenbunker Stops Here
Author: Petra Halkes
Date: February 2001
Issue: Volume 20, Number 1: Noam Gonick (#77)
Page: 34-39
Section: Articles
Subject: The site-specific group exhibition, “Singular Fission” at the Diefenbunker in Canada’s Cold War Museum
Title: “Emergence from the Shadow”: Past Tense, Present Solution
Author: Petra Halkes
Date: November 2000
Issue: Volume 19, Number 4: Nancy Spero (#76)
Page: 93-95
Section: Crossovers, Reviews
Subject: “Emergence from the Shadow: First Peoples’ Photographic Perspectives” at the Canadian Museum of Civilization
Title: Figuring Out Abstraction
Author: Petra Halkes
Date: August 2000
Issue: Volume 19, Number 3: Steve Martin (#75)
Page: 75-77
Section: Crossovers, Reviews
Subject: “Philip Guston Tableaux/Paintings 147-1979,” organized by Kunstmuseum in Bonn, seen at the National Gallery of Canada in Ottawa
Title: The Myth Universe Pageant
Author: Petra Halkes
Date: May 2000
Issue: Volume 19, Number 2: On Work (#74)
Page: 77-79
Section: Crossovers, Reviews
Subject: “Art Worlds in Dialogue- From Gauguin to the Global Present” at Museum Ludwig in Cologne
Title: Photogothy
Author: Petra Halkes
Date: August 1999
Issue: Volume 18, Number 3: Diana Shearwood (#71)
Page: 56-57
Section: Crossovers, Reviews
Subject: “Barber’s Music” by Donigan Cumming at the Canadian Museum of Contemporary Photography
Title: Serious Play
Author: Petra Halkes
Date: October 1998
Issue: Volume 17, Number 4: On Photography (#68)
Page: 71-77
Section: Crossovers, Reviews
Subject: “Crossings,” at the National Gallery of Canada in Ottawa
Title: Reservation X
Author: Petra Halkes
Date: July 1998
Issue: Volume 17, Number 3: Storytime (#67)
Page: 71-73
Section: Crossovers, Reviews
Subject: “Reservation X” at the Canadian Museum of Civilization
Title: Aesthetical Science
Author: Petra Halkes
Date: February 1998
Issue: Volume 17, Number 1: The Body: Gay and Straight (#65)
Page: 50-51
Section: Crossovers, Reviews
Subject: “Photography in Science: Beauty of Another Order” at The National Gallery of Canada
Title: The Collectors
Author: Petra Halkes
Date: August 1997
Issue: Volume 16, Number 3: Landscapes (#63)
Page: 75-76
Section: Crossovers, Reviews
Subject: “Of Mudlarkers and Measurers,” at the Agnes Etherington Centre in Kingston and at the Ottawa Art Gallery
Title: Master Bewilder
Author: Petra Halkes
Date: May 1997
Issue: Volume 16, Number 2: Ignacio Iturria (#62)
Page: 59-60
Section: Crossovers, Reviews
Subject: Michel Campeau, retrospective exhibition “Les images volubiles/Eloquent Images,” Canadian Museum of Contemporary Photography
Title: Home is Where the Space is
Author: Petra Halkes
Date: February 1997
Issue: Volume 16, Number 1: The Nature of Things (#61)
Page: 48-49
Section: Crossovers, Reviews
Subject: “Home is Where the Heart Is,” at Westergasfabriek, Amsterdam curated by Natalie Kamphuys
Title: The Glory of Roam
Author: Petra Halkes
Date: November 1996
Issue: Volume 15, Number 4: Remembering of Things Past (#60)
Page: 68-70
Section: Crossovers, Reviews
Subject: “Corot, 1796-1875” at the National Gallery in Ottawa
Title: Fragile: Reconstruct with Care
Author: Petra Halkes
Date: February 1996
Issue: Volume 15, Number 1: Dutch Treats (#57)
Page: 61-64
Section: Crossovers, Reviews
Subject: “Cosmoville,” paintings by Eleanor Bond at the Witte de With centre for contemporary art in Rotterdam