Robert Enright

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  The Structure of Connecting

  Throughout the 30 years he has been making art, initially in Germany where he was born, then in Vancouver and London, UK, where he was educated, and now in Winnipeg where he lives and teaches, Holger Kalberg has been attracted to the ways in which paintings are structured.

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  The Impossibilist

  In Paris in 1964 the Swiss-Italian artist Alberto Giacometti asked James Lord, his friend and an American art critic, to sit for a portrait. It would require only a single sitting lasting two or three hours and then Lord could go back to America as he had planned. A fortnight later, and after 18 unpredictable sessions

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  Picturing The Red Line

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  The Space of Not-Knowing

  It’s my sense that engaging with Erin Shirreff’s work involves an act of faith. Her proposition that time is the elemental dimension in the embodiment of her works, that is, in bringing them into being, is one with which we agree if we commit to her work.

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  Tough Love

  Kelly Mark works hard as the self-employed worker Kelly Mark. For over two decades the Toronto-based artist has been making videos, drawings, sculptures, text pieces and performances that have earned her a reputation as one of Canada’s most important conceptual artists.

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  The Fitter

  In July of 2014 the American artist Nancy Rubins opened an exhibition of sculptures at Gagosian in New York with the name “Our Friend Fluid Metal.”

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  Notes on a Celluloid Gold Mine

  The history of culture is a negotiation between what we already know and what we still have to find out. Every once in a while a discovery is made that adds something new to that elusive process.

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  Painting by Numbers

  “Loving Vincent” is set a year after the death of Vincent van Gogh in 1890 and uses as cast members and locations the people and places the artist painted during his lifetime.

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  The Weight of History

  Richard Serra told us that he came to a place in his work where he didn’t want people to be simply looking at a single object; he wanted them to experience the work by going through it.

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  Sounding Poetry

  If “Jean-Pierre Gauthier” were a playwright, he would be writing tragic comedies. The installations of this Montreal-based kinetic sculptor are so full of humour, pathos and poignancy they are impossible to ignore.

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  Living On: The Mosaic Interviews

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  The One Who Signs

  The Devil’s Backbone, the second of three early films by the Mexican filmmaker Guillermo del Toro, which have been released as a Criterion boxed set, opens in an isolated orphanage in the final months of the Spanish Civil War.

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