An Interview with Stan Douglas
Robert Enright November 2020 Interviews
If Stan Douglas weren’t a filmmaker, video artist and photographer, he’d be a writer. He thinks like a writer. When he talks about his projects and bodies of work, how they come into being and how they develop, it is like listening to a novelist outlining a plot, setting a scene or describing a character. He provides a narrative frame in which stories and characters present and configure themselves, often in complicated situations. Keep Reading
“Love Is The Message, The Message Is Death” directed by Arthur Jafa
Robert Enright November 2020 Bordercolumns
Arthur Jafa’s unparalleled seven-and-a-half-minute-long video opens and closes with two kinds of Black hero. Keep Reading
Dionne Brand and the Making of Language
Dionne Brand’s The Blue Clerk, 2018, subtitled an Ars Poetica in 59 Versos, has two characters, the author and the clerk. Their interaction is an inventory of complex disagreements and antagonisms. Keep Reading
Game Changer
Robert Enright, Meeka Walsh November 2020 Interviews
For Esmaa Mohamoud, growing up as the only girl between two older brothers and two younger ones, an engagement with sports was inevitable. A self-described tomboy, she played sports like a boy, wore a jersey, was a Raptors fan who admired Vince Carter and wanted some of his magic for her own. Keep Reading
The Irrepressible Art of Tschabalala Self
Robert Enright, Meeka Walsh November 2020 Interviews
Tschabalala Self is very clear, very focused, very persistent. She says, when queried in the interview that follows, “My work is all about figuration. It’s all about people, lives, lived experiences.” She says, “The main subject of my work is the Black woman, and I care for Black women and I also care about the reputations of Black women as they exist in the real world and also in the collective imagination.” Keep Reading
“Warhol” by Blake Gopnik
Robert Enright March 2020 Bordercolumns
In his lifetime Andy Warhol took an inventive approach to the facts of his biography. At different times he claimed to have been born in 1929, 1930 and 1933; he even lied about his age to his doctor; and he changed his place of birth from Philadelphia to Newport, Rhode Island, and to Cleveland. Keep Reading
The Night Photographs of Éliane Excoffier
Robert Enright December 2019 Portfolios
I use the kind of infrared cameras that hunters put in the forest as a way of detecting movement of game. The photos these cameras took always represented a strange universe to me, and when my boyfriend and I bought a house and moved to the Eastern Townships six years ago, I had the opportunity to use a night camera myself. Keep Reading
Robert Frank’s Letters to Chester Pelkey
Robert Enright December 2019 Portfolios
In 1981 Robert Frank travelled with his wife June Leaf to Saskatoon, where he showed films and talked about his work at an artist-run space called the Photographer’s Gallery. The night before his talk, at a casual dinner in his honour, he met a writer named Chester Pelkey and they immediately found common ground. Keep Reading
An Interview with Benoit Aquin
Robert Enright December 2019 Interviews
In October of this year the Montreal-based, award-winning photographer Benoit Aquin published a book in Paris called La dimension éthérique du réseau par Anton Bequii (The Network’s Etheric Dimension by Anton Bequii). Keep Reading
An Interview with Lindsay McIntyre
Robert Enright December 2019 Interviews
Lindsay McIntyre’s films are familial and cultural meta-narratives; at the same time that they tell the story of her Inuk great-grandmother’s life, they also tell the story of their own making. Keep Reading
Haven’t found what you're looking for? Explore our index for material not available online.
Border Crossings • 500-70 Arthur Street • Winnipeg, MB • R3B 1G7 • (204) 942 5778 • Toll-free (866) 825 7165 • Fax (204) 949 0793 • Email
Advertise with Border Crossings
Border Crossings wishes to acknowledge funding from the following organizations: