Robert Enright

• The Incredible Lightness of Machines: An Interview with Reva Stone

• The Certainty of Machines: An Interview with Max Dean

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  Malcolm Morley: The Principal of Uncertainty

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  The Eye of the Painting: An Interview with Peter Doig

• The Artful Doubter: Evan Penny & the Making of Extraordinary Objects

• Crafting, Every Witch Way: An Interview With FASTWÜRMS

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  Vim and Vigour

  WIM DELVOYE is a master of the in-between. For 20 years he has been making art that is (at least) two things at once, and in the process has produced a body of work that is uncompromisingly witty and irascible.

• The Pleasure of Looking

• Endgames

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  Learning from Objects: An Interview with David Altmejd

• Sexy Boy

  Cliff Eyland is an art-world Imp of the Perverse. In Edgar Allen Poe’s formulation, the imp was “an innate and primitive principle of human action, a paradoxical something, which we may call perverseness.” The fit is a good one, as long as you understand that the term primitive has nothing to do with a lack of sophistication. It comes closest to meaning ungoverned, or, more accurately, ungovernable. As he says in the following interview, his attitude has never been to get people to accept his work, but rather, “try to stop me making this stuff.”

• The Very Rich Hours of Carol Wainio

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