Robert Enright
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Tributary Art: A Conversation with Andre Ethier
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The Visual Gate: Entering the Place of Painting: An Interview with Will Gorlitz
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The Thread of Painting
There’s something about thread that’s as effective in reducing male assertions as Delilah’s scissors were on Samson’s hair. I think of British artist Anna Hunt who rendered iconic modernist architecture in six-by-eight inch satin-stitch embroideries, and here we’re looking at the work of Ghada Amer, who graduated in 1989 with a MFA in painting from a well-regarded school in Nice leaving with conflicted messages about the efficacy of a woman painting at all.
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Making Angels Weep: “End of the Line,” directed by Rupert Murray
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Manifold Singularity: An Interview with Roni Horn
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Arcs Poetica: The Life and Death of Lightning: “Act of God,” directed by Jennifer Baichwal
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Every Frame A Photograph: Shirin Neshat in Conversation
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Black House, Brilliant Film: Forough Farrokhzad’s “The House is Black”
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Secret-Sharer: An Interview with Raymonde April
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Deus Ex Filmica: The Films of Robert Frank
In “Fire in the East,” the compelling 1986 documentary portrait about the life and art of Robert Frank, there are a number of occasions when the photographer-turned-filmmaker reflects on the nature of his achievement. “I have no regrets,” he says in responding to the suggestion that he was relentless in making his films, “and I don’t think I’ve ever gone far enough.
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Attentive Contradictions: The Photographic World of Philip-Lorca diCorcia
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The Ages of Johnson: An Interview with Sarah Anne Johnson
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