Robert Enright

• Tributary Art: A Conversation with Andre Ethier

• The Visual Gate: Entering the Place of Painting: An Interview with Will Gorlitz

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  The Thread of Painting

  There’s something about thread that’s as effective in reducing male assertions as Delilah’s scissors were on Samson’s hair. I think of British artist Anna Hunt who rendered iconic modernist architecture in six-by-eight inch satin-stitch embroideries, and here we’re looking at the work of Ghada Amer, who graduated in 1989 with a MFA in painting from a well-regarded school in Nice leaving with conflicted messages about the efficacy of a woman painting at all.

• Making Angels Weep: “End of the Line,” directed by Rupert Murray

• Manifold Singularity: An Interview with Roni Horn

• Arcs Poetica: The Life and Death of Lightning: “Act of God,” directed by Jennifer Baichwal

• Every Frame A Photograph: Shirin Neshat in Conversation

• Black House, Brilliant Film: Forough Farrokhzad’s “The House is Black”

• Secret-Sharer: An Interview with Raymonde April

• Deus Ex Filmica: The Films of Robert Frank

  In “Fire in the East,” the compelling 1986 documentary portrait about the life and art of Robert Frank, there are a number of occasions when the photographer-turned-filmmaker reflects on the nature of his achievement. “I have no regrets,” he says in responding to the suggestion that he was relentless in making his films, “and I don’t think I’ve ever gone far enough.

• Attentive Contradictions: The Photographic World of Philip-Lorca diCorcia

• The Ages of Johnson: An Interview with Sarah Anne Johnson

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