Robert Enright
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Rock of Aegis: “The T.A.M.I. Show”, directed by Steve Binder
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Marcel Barbeau: The Colour of Change
Marcel Barbeau was born in Montreal in 1925 and has been making art continuously for 65 years. A student of Paul-Émile Borduas at the École du meuble in 1944, he was a signatory of the famous Refus global, the manifesto credited with setting the stage for Quebec’s transformation from a closed, provincial to a modern culture.
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The Gallery of Ingenious Inventions: An Interview with Marcel Dzama
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The Beautiful Trap: Janine Antoni’s Body Art
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Graham Cracklings: Rodney Graham’s Conceptual Energy
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The Tragic Optimist: “You, the Living” directed by Roy Andersson
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Dan Graham: Mirror Complexities
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(Subject to Change): Lawrence Weiner and the Contingencies of Language
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Meta Meta-Movie
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Tributary Art: A Conversation with Andre Ethier
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The Visual Gate: Entering the Place of Painting: An Interview with Will Gorlitz
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The Thread of Painting
There’s something about thread that’s as effective in reducing male assertions as Delilah’s scissors were on Samson’s hair. I think of British artist Anna Hunt who rendered iconic modernist architecture in six-by-eight inch satin-stitch embroideries, and here we’re looking at the work of Ghada Amer, who graduated in 1989 with a MFA in painting from a well-regarded school in Nice leaving with conflicted messages about the efficacy of a woman painting at all.
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