Robert Enright

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  More Real than Reality

• Outposting, Edgings Towards Art and Science

• Forming the Human

• Trace Elements: Spring and Arnaud, directed by Marcia Connolly and Katherine Knight

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  Empyrrhic Evidence: “The Gatekeepers,” directed by Dror Moreh

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  Possibly, Everything: An Interview with Robert Frank

  Robert Frank has always produced books of photographs. He made his first one, “40 Fotos”, in 1946, a spiral-bound, single edition of 40 images he’d taken between 1941 and 1945 and assembled as a portfolio he would use in seeking employment. It accompanied him on his trip to New York in 1947 and helped him secure work with Alexey Brodovitch at Harper’s Bazaar. In 1953 he produced “Black White and Things”, an edition of three. That book mapped the course Robert Frank would follow in all the work he did. Everything is there: the place of memory, the use of sequencing, a reliance on intuition, the rigour and emotional courage of poetry—and trusting and leaving space for the viewer.

• Headgames: Deco Dawson’s “Ne crane pas sois modeste (keep a modest head)”

• Space Stories: An Interview with Mike Nelson

• Father Courage: Ai Weiwei: Never Sorry, directed by Alison Klayman

• Showing Nothing, Showing Everything

• A Constellation of Narratives: Dreaming the History of Lost Cinema

• Designs on Life: An Interview with Arnaud Maggs

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