Barry Schwabsky
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Painting, Poetry, Impasse
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Barry Schwabsky’s Picture Library: Appearances and Disappearances, Truths and Fictions
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Barry Schwabsky’s Picture Library: I See Better When It’s Quiet
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Dana Schutz
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Barry Schwabsky’s Picture Library: From Inner Architecture to Unremembered Images
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Bernard Piffaretti: Seeing Double
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Vicissitudes of Light: Yelena Yemchuk, Mimi Plumb, Genesis Báez, Seth Fluker, Viviane Sassen
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Oblique Strategies: Carmen Winant, Daidō Moriyama, Gabriele Basilico, Susan Meiselas
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Changes of Focus: Janet Sternburg, Teju Cole, Mark Peckmezian, Charles Johnstone
In my brain something had shifted before I’d realized it. As a change of focus can make nearer things seem nearer and farther ones even more distant, the pandemic made necessary things more necessary, superfluous ones totally dispensable.
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Bodies and the How of Seeing
In contrast to Scheurwater’s overriding propensity toward brazen confrontation, Scheynius cultivates an aesthetic that is sidelong and elusive even in showing the naked body—the artist’s own or that of others.
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Fine Focusing
Danger lives in close proximity to joy.
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Picasso Remixed
Responding to Picasso’s enduring influence, Barry Schwabsky writes: “The only way to become a historical successor to a Picasso was to transcend him completely.”
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