Barry Schwabsky
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Barry Schwabsky’s Picture Library: I See Better When It’s Quiet
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Dana Schutz
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Barry Schwabsky’s Picture Library: From Inner Architecture to Unremembered Images
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Bernard Piffaretti: Seeing Double
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Vicissitudes of Light: Yelena Yemchuk, Mimi Plumb, Genesis Báez, Seth Fluker, Viviane Sassen
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Oblique Strategies: Carmen Winant, Daidō Moriyama, Gabriele Basilico, Susan Meiselas
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Changes of Focus: Janet Sternburg, Teju Cole, Mark Peckmezian, Charles Johnstone
In my brain something had shifted before I’d realized it. As a change of focus can make nearer things seem nearer and farther ones even more distant, the pandemic made necessary things more necessary, superfluous ones totally dispensable.
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Bodies and the How of Seeing
In contrast to Scheurwater’s overriding propensity toward brazen confrontation, Scheynius cultivates an aesthetic that is sidelong and elusive even in showing the naked body—the artist’s own or that of others.
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Fine Focusing
Danger lives in close proximity to joy.
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Picasso Remixed
Responding to Picasso’s enduring influence, Barry Schwabsky writes: “The only way to become a historical successor to a Picasso was to transcend him completely.”
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AR Penck
I hadn’t guessed that AR Penck was quite such a hero in his hometown. It hadn’t even occurred to me when I was booked into Dresden’s Penck Hotel that the coincidence of names was anything more than that, a coincidence— but no, I found the lobby filled with marvellous canvases by the artist, named Ralf Winkler by his parents, a 1939 son of the city who died in 2017.
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Her and You
Tracey Emin’s new paintings, recently exhibited as part of the exhibition “A Fortnight of Tears” at White Cube, London, reveal an uncommon depth of feeling. Yes, her art in all its many media has always been emotionally demonstrative; you always knew what was on her mind—the passions of desire, abandonment, pleasure, revenge, or whatever was at stake in any given piece—and the work declared the feeling…
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