Articles

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  Animation Noir

• A Mother’s Story, for Brief Moments, in Dreams: The Problems of Language

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  Cliff Eyland

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  Landon MacKenzie

  Landon Mackenzie’s “Nervous Centre” is a significant survey exhibition of works from the past 20 years by the Vancouver-based artist. The largest solo show of Mackenzie’s work to date, the exhibition provides an important overview of one of Canada’s influential painters.

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  Patti Smith: Making the Past Present

  The Patti Smith I encountered when she opened her hotel-room door in Ottawa this past November, while she was in the middle of a whirlwind, eight-city international tour with Neil Young and Crazy Horse, was hardly the frenzied, spit-spraying performer she was in the 1970s—and, incredibly, still is.

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  Empyrrhic Evidence: “The Gatekeepers,” directed by Dror Moreh

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  Salt Seller: Elvira Finnigan

  There is a saying that we have inherited from medieval England about being either “above or below the salt.” The former was preferable since it meant that you sat with the Lord, his family and honoured guests at high table. (Salt is absolutely necessary to human survival; every cell in our body is bathed in a salt solution). And because you were able to have salt with your meal, things tasted better. Both prestige and palate were satisfied. For Winnipeg artist, Elvira Finnigan, everyone who attended her performance, “Festin et Conséquences (Feast and Aftermath)” at the Centre culturel franco-manitobain, was “above the salt.”

• Indifference and Donkeys, A Tale

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  Brian Groombridge

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  Noel Rodo-Vankeulen

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  Lyse Lemieux

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  Jay Isaac

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