Crossovers

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  “ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ // among all these tundras”

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  Bonavista Biennale

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  Liz Magor

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  Growth and Decay: Pripyat and the Chernobyl Exclusion Zone by David McMillan

  The Winnipeg photographer David McMillan was first drawn to Chernobyl as a subject eight years after the disaster. He had read a 1994 cover story in Harper’s by Alan Weisman entitled “Journey Through a Doomed Land: Exploring Chernobyl’s Deadly Ruins.” Weisman was accompanying a team of American and local scientists attempting to a create a tool kit for survival in a toxic landscape.

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  Carolee Schneemann

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  Carolee Schneemann and Stan Brakhage

  Presentation House Gallery (PHG) in North Vancouver is a physically unprepossessing space: three modestly made over rooms on the third floor of what was once somebody’s home. Still, those old rooms have hosted an astonishing array of historical and contemporary exhibitions of photo-based art. Recently, PHG undertook the brilliant pairing of shows by pioneering performance and multi-media artist Carolee Schneemann, who divides her time between Montreal and the New York countryside, and experimental filmmaker Stan Brakhage, who died in Victoria in 2003.

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  Carolee Schneemann

  This an exhibition with an agenda. Carolee Schneemann (born 1939) is famous for her performances and their filmic and photographic records in the period bracketed by Meat Joy, 1964, and Interior Scroll, 1975. The exhibition “Kinetic painting” at Museum Für Moderne Kunst proposes, first, that her work should be seen as expanded painting, thereby challenging the received primacy of medium, and, second, that her whole oeuvre— more than 300 works— should be attended to seriously, from the 1950s through to her current production.

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  Yoko Ono

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  Donigan Cumming

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  ‘Men and Apparitions’ by Lynne Tillman

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  “Trans Hirstory in 99 Objects”

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  Tim Zuck

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