Articles
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Say, Bird: A Consideration of Interspecies Romance
This story has been told before. It’s largely an urban romance, for a number of reasons. In one telling gold coins are involved and this implies structures…
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The One Who Signs
The Devil’s Backbone, the second of three early films by the Mexican filmmaker Guillermo del Toro, which have been released as a Criterion boxed set, opens in an isolated orphanage in the final months of the Spanish Civil War.
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The Incredible Rightness of Mischief
Kent Monkman’s revisioning of the Canadian artistic, social, political and sexual landscape is the most radical rethinking of the way our society functions any artist has accomplished in the 150 years since Confederation.
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Blanket Approval
When Vancouver-based painter Kim Dorland paints his wife and muse, he likes to wrap her in a blanket.
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Lights, Kamias, Action
In between the openings of the Venice Biennale and Documenta this summer, an alternative exposition opened in Quezon City, the Philippines.
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“This Must be the Place (Home Pt. 2)”
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Will Gorlitz
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“Picasso in Canada” and “Picasso: Man and Beast”
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“moving in every direction. Environments - Installations - Narrative Spaces”
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Ed Atkins
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“Rebel, Jester, Mystic, Poet”
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Close Encounter of a Biographical Kind
Chris Kraus has written her seventh book, called After Kathy Acker: A Literary Biography, which Semiotext(e) will publish this month.
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