Articles

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  Ben Woolfitt

  Woolfitt draws every day, usually starting around 6:00 a.m. He sees this early hour as a time when “you’re as close to the sleep state as you can be, and you’re not really involved in a thought process.”

• Still Life: Max Dean’s Forceful Imminence

• Bad Luck Banging, Great Luck Filming

• Writing, Being Here and There

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  William Kentridge

  Beneath all the absurdity—a big disembodied nose strutting around the tower, riding on horseback, ascending a rickety stairway towards a podium only to fall off it and ascend again— what is really being expressed here are sorrow and dismay.

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  Way of Being: The Art of Lori Blondeau

  “I think being born Indigenous means you are political…You’re born political because you have to fight for your rights. We’re still doing it today.”

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  Walking the Talk and Talking the Walk

  “I was taking a walk and I saw a particular nearby parking lot,” she says. “I think I was hit by the muse.”

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  The Life of Bones

  “When I’m photographing, I’m trying so much to be with the skull as a skull, as a carrier of feelings and structure, that I don’t relate to anybody else at the time.”

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  Sandra Brewster

  Along a fulsome continuum of Black expressivity, Black time and Black survival transmuted to thriving, what is plumbed by the blurs is not the culture-making, world-defining and defying contributions of these icons but the way in which Brewster wrecks the photograph’s illusory idylls.

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  Light | Space | Camera | Language | The Work of James Nizam

  Nizam explored these domiciles during nighttime dérives, occupying and photographing a seemingly unconscious zone of civic and psychic ruin.

• Photographs, A Story

  So, imagine finding, just happening upon such a roll or spool of undeveloped film. From before digital. A taut canister of a photo record of someone’s intentions. You could tell it. It could go like this.

• Damage Control

  Hemingway’s life was a dazzle and a disaster, replete with fame and glamour, three wars and three houses, a 38-foot custom-made fishing boat, bullfighting, big-game hunting, life-threatening accidents, several traumatic and permanent brain injuries, a string quartet of wives and three sons—everything fuelled, as the film tells us, by alcohol.

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