Articles
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“Holding a line in your hand”
Amid all of the stress, strife and suffering there were admittedly a few bright spots and one of them surely had to be a painting exhibition titled “Holding a line in your hand” at the Kamloops Art Gallery.
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“Picasso: Painting the Blue Period”
They are, rather, the most straightforwardly humanist of any of Picasso’s paintings. They are meditations on what is most basic: flesh, food, drink, earth, sunlight. They depict human beings to sight, touch and taste.
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Bonavista Biennial
Organizing a festival during a pandemic must have been a massive logistical feat, but the experience of it almost allowed me to forget that.
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Patrick Dunford
It is in the slightly skewed, dominant and unstable perspective where the style comes closest to capturing the psychological terrain of deindustrialization: the loss of identity that comes with the loss of jobs and community and a solid sense of place.
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Mary Shannon Will
Even viewers who thought they knew her work well found revelations in its remarkable consistency and in the coherence of her exploratory trains of thought.
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A Certain Kind of Animal Energy
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Outdoor School: Contemporary Environmental Art
By activating single points on a much larger rhizome or sentient network, Borsato and Morrell encourage conversation and natural immersion.
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Randall Anderson
In the case of Randall Anderson’s recent exhibition, “New Work ….. from the 80s,” the artist casts his attention backward by four decades, revisiting old images and ideas in a new body of work.
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“Kline & Kolakis”
If there is a theme to this exhibition, it is that of an emptiness where memory and its play within perception allow for a subtly nuanced intimacy, usually referred to as “aesthetic” experience.
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“Greater Toronto Art 2021”
In response to the question posed by the Museum of Contemporary Art (MOCA) to 21 artists and art collectives—“ What seems most urgent to you now?”—a flurry of answers surfaced.
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Katie Lyle
“What do you think? From the beginning people like this have never managed, whether on their own or with the help by others, to see anything besides the shadows that are [continually] projected on the wall opposite them by the glow of the fire.”
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“The Infernal Grove”
Each speaker, in recounting their experience of addiction and drug taking, their experience of the illegal drug economy, of incarceration and sanction, eschews shame, apology, or regret.
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