Articles

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  Susan Dobson

  Susan Dobson’s exhibition “Slide/Lecture” makes me homesick. Standing in the darkened, silent gallery space, I am transported back in time, twice, to two difference decades, two different cities, two different lifetimes.

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  Nicholas Party

  There’s a lot to unpack in a stroll through the immersive and multifaceted exhibition by Swiss artists Nicolas Party, “L’heure mauve.”

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  Thomas Hirschhorn

  I want to express the complexity and contradiction of the world into a single collage. I want to express the world that I am living in, not the whole world as the entire world but as a fragmented world. —Thomas Hirschhorn, 2006

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  Subjectivity of an Artist’s Object: A Participant’s View of Alvin Luong’s “Workers Dance”

  …Luong seeks to create irony through a sense of dissonance between the state and the symbolism of state heads, while simultaneously undermining the “power” of the state by giving back power to the working class.

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  Alison Yip

  What will cause me great embarrassment? What new skill will I develop?

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  Miriam Cahn

  Swiss artist Miriam Cahn’s exhibition “ME AS HAPPENING” occupies both floors of The Power Plant, a rare accommodation for a venue that generally hosts multiple artists.

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  Candice Breitz

  There actually are 1,001 pieces of videotaped film in the boxes, though we can’t find out what they are without destroying them as artworks.

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  Cliff Eyland

  The Library of Babel, if indeed it did exist, would be an infinite labyrinthine space of boundless freedom, much like the space Eyland created for himself within his practise: the room to operate in whatever way he pleased.

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  Buffy Sainte-Marie

  Sainte-Marie’s work opens up what she calls—in reference to her treatment of Indigenous themes through new media—an “alter-native” dimension.

• Nature and Normativity

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  Barbara Steinman: Keeping Time

• Shadowland

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