Articles
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Sexy Boy
Cliff Eyland is an art-world Imp of the Perverse. In Edgar Allen Poe’s formulation, the imp was “an innate and primitive principle of human action, a paradoxical something, which we may call perverseness.” The fit is a good one, as long as you understand that the term primitive has nothing to do with a lack of sophistication. It comes closest to meaning ungoverned, or, more accurately, ungovernable. As he says in the following interview, his attitude has never been to get people to accept his work, but rather, “try to stop me making this stuff.”
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James Carl
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The Very Rich Hours of Carol Wainio
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Eyeing the Landscape: The Photography of Thaddeus Holownia
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The Miss of Sisyphus: Will Gorlitz
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Mute Ability: Janet Werner Changes the Face of Portraiture
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From Flesh to Stone: The Photography of Ralph Gibson
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View Finder: The Photography of Geoffrey James
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Mirror, Mirror in the Hand, Who’s Most Reflected in All the Land: Dominique Rey
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Kim Adams
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The Archaeology of Landscape: Paintings of Michael Smith
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Pleasure Principals: The Art of Janet Cardiff and George Bures Miller
Janet Cardiff and George Bures Miller have created, each in their particular way, a contemporary version of son et lumière. Not for the sake of spectacle, although the theatrical is a tool they find engaging and functional, having used it to good effect in many of their pieces. In fact, Janet Cardiff’s voice in your ears, winding through your cochlea, insinuating itself thoroughly into your cognitive operations, is as theatrical an event as the average person would wish to experience.
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