March 2014
#129
Influence, its richness and anxieties. Marcel Dzama, Kim Dorland, Geoffrey Farmer, Sherry Walchuk, Shayne Ehman and Seth Scriver
Buy NowTable of Contents
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Bordernotes
- Gertrude Stein’s Dog
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Borderviews
- Cold Comforts RAW: Almond
- Street Philosopher Isiah Medina
- Deep Surface Rebecca Belmore
- Uncanny Occupations Sherry Walchuk
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Bordercolumn
- Beyond Redemption “Burroughs: the movie” directed by Howard Brookner
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Interviews
- Spirits of Collaboration An Interview with Marcel Dzama
- Painting’s Giant Dialogue An Interview with Kim Dorland
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Essay
- Against Influence: In which an Artist Makes Sweeping but Occasionally Supportable Statements
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Articles
- Vorticulturalism Canadian Women Vorticists
- The Mime of the Ancients: On Geoffrey Farmer’s “A Light In The Moon”
- Car Tunes Shayne Ehman and Seth Scriver and the Song of the Open Road
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Art Pages
- Sherry Walchuk
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Crossovers
- Winnipeg Symphony Orchestra New Music Festival 2014
- Looking Up: Contemporary Connections with Inuit Art
- Ai Weiwei
- William Eakin
- Micah Lexier
- Kimsooja
- “Reading Cinema, Finding Words: Art after Marcel Broodthaers
- “Living in a Material World”
- Jack Goldstein
- Anthony Caro
- Michael Flomen
- Jean-Francois Lauda
- “The Carnegie International”
- “Art Cities of the Future: 21st-Century Avant-Gardes
- “Hello, the Roses”
