Jennifer McVeigh

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  Bonavista Biennial

  Organizing a festival during a pandemic must have been a massive logistical feat, but the experience of it almost allowed me to forget that.

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  Will Gill

  In a photograph titled Open Ocean, an older man, a woman and a teenager row a punt filled with belongings through a dark night. The vessel, their clothing, bags and a large wood-framed mirror all reflect a rich orange glow that catches the surface of the black water around them. Even the end of the paddle is luminous through the waves. This is the first in a series of photographs that forms a narrative spine for Will Gill’s new exhibition, “From the Lion’s Den.”

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  “Future Possible: Art of Newfoundland & Labrador to 1949”

  How do you begin to write an art history and what are the vital questions to ask? Which marks are most prominent in the visual culture of a particular place, and which are nearly invisible? What narratives exist and why; where the gaps and erasures?

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  “Folklore and Other Panics”

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