Organizing a festival during a pandemic must have been a massive logistical feat, but the experience of it almost allowed me to forget that.
In a photograph titled Open Ocean, an older man, a woman and a teenager row a punt filled with belongings through a dark night. The vessel, their clothing, bags and a large wood-framed mirror all reflect a rich orange glow that catches the surface of the black water around them. Even the end of the paddle is luminous through the waves. This is the first in a series of photographs that forms a narrative spine for Will Gill’s new exhibition, “From the Lion’s Den.”
How do you begin to write an art history and what are the vital questions to ask? Which marks are most prominent in the visual culture of a particular place, and which are nearly invisible? What narratives exist and why; where the gaps and erasures?
Haven’t found what you're looking for? Explore our index for material not available online.