Emily Doucet

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  “Disraeli Revisited: Chronicle of an Event in Québec Photography”

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  A Dependant Inquiry into Certain Normal Predicaments of Human Divinity

  “If I could do it, I’d do no writing at all here. It would be photographs; the rest would be fragments of cloth, bits of cotton, lumps of earth, records of speech, pieces of wood and iron, phials of odors, plates of food and of excrement…. A piece of the body torn out by the roots might be more to the point.”

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  Sylvia Matas

  In Sylvia Matas’s exhibition “Stop the Clock and Open Every Window” (YYZ Artists’ Outlet), the walls of the gallery space divide the work into four neat groups. This distinction appears at first to replicate divisions among media (drawing, photography, text, video, paper cut-out), but each wall elides such neat categorization.In Sylvia Matas’s exhibition “Stop the Clock and Open Every Window” (YYZ Artists’ Outlet), the walls of the gallery space divide the work into four neat groups. This distinction appears at first to replicate divisions among media (drawing, photography, text, video, paper cut-out), but each wall elides such neat categorization.

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  Bahar Noorizadeh

  Featuring two black-box video installations, Ultima Ratio Δ Mountain of the Sun, 2017, and After Scarcity, 2018, “governance machines and the future of futures” is artist, writer and filmmaker Bahar Noorizadeh’s first solo exhibition in Canada.

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  ‘Men and Apparitions’ by Lynne Tillman

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  Ken Nicol

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  “Camera Atomica”

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