Articles
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Frank as Ever
Don’t Blink, Laura Israel’s feature documentary about photographer and filmmaker Robert Frank, makes it easy to forget how unusually close she has taken you to the world’s most influential living photographer, an artist who changed the history of his medium.
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Robert Walser: looking at pictures and the soft, cold, lethargic sun
Engaged with art writing as I am, it is with some nervous reluctance that I ask myself, what is it? What is it that art criticism, art writing is supposed to do?
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Play Back Playing Forward
How in the world are we to come to terms with Michael Snow’s production and achievement? His migrating categories address a see-sawing taxonomy. “My paintings are done by a filmmaker, sculpture by a musician, films by a painter, music by a filmmaker, paintings by a sculptor, sculpture by a filmmaker, films by a musician, music by a sculptor…Also, many of my paintings have been done by a painter, sculpture by a sculptor, films by a filmmaker, music by a musician.” The fluctuating list is accurate but not helpful in assessing or explaining what he calls his “manifold practice.”
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Hearing Al Purdy
Al Purdy Was Here…You come away from it with a feeling that you have encountered a writer, a location and a country that are so seamlessly entwined as to be inseparable. In setting his documentary sights on Alfred Wellington Purdy, Johnson has assumed an ambitious task: to tell how a poet who showed remarkably little talent for two decades was able to transform himself into a two-time winner of the Governor General’s Award for poetry and in finding his own voice, managed to discover a voice for his country as well.
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Vagaries, Quirks and a Cracked Kettle: The Way of Translation
“I am not frightened of the truth. I am not afraid to tell a secret. But until now, words have been frailer and more cunning than I would have liked.”
–from Meeka Walsh’s introductory essay to Issue 136: Son et Lumière.
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“Lost Space and its Remnants: The Hole in the Wall, A Retrospective”
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To Russia with Love
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Jon Rafman
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Brad Isaacs
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Gilles Hébert
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VSVSVS
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“Camera Atomica”
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