Earl Miller

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  Shelley Niro

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  Kapwani Kiwanga

• Jen Aitken

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  Denyse Thomasos

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  Shirin Neshat

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  Nelson Henricks and Michael Morris

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  Anna Torma

  The textile work I’m referring to is Permanent Danger, 2017, displayed like a scroll and centrally installed on an opening between the galleries. Both sides of the piece form picture planes through a technique known as double-sided embroidery.

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  Tau Lewis

  Toronto-based but currently peripatetic artist Tau Lewis has recently been attracting international attention, notably at large American institutions such as MoMA PS1, the Hammer Museum, LA, and the New Museum in New York.

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  Hajra Waheed

  Certainly the most audience- pleasing but also one of the most thematically revealing works in Hajra Waheed’s “Hold Everything Dear” is You Are Everywhere (a variation), 2012–19, an immersive installation inviting audiences to lie on a wooden floor, which is lit to resemble a starry sky.

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  Brian Jungen

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  Stephen Andrews

  War is the theme of Stephen Andrews’s recent McMichael exhibition, “Aftermath,” curated by Sarah Milroy. Adjacent is the blockbuster exhibition, “David Milne: Modern Painting,” which Milroy also curated, including Milne’s lesser-known work as a war artist. Next to the Milne exhibition is “The Sleeping Green,” Dianne Bos’s series of photographs taken at former battle sites along the Western Front. Collectively, the three exhibitions mark the Armistice centenary, and Milroy has further linked Andrews’s exhibition with Milne’s for common ground in their respective portrayals of war.

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  Jack Goldstein and Ron Terada

  Jack Goldstein, Montreal-born but residing in the United States most of his life, has received few Canadian exhibitions despite international acknowledgement. Consequently, “Jack and the Jack Paintings: Jack Goldstein and Ron Terada” should be especially welcome in Canada.

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