Articles

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  Jay Isaac

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  Nicolas Sassoon

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  Eve K Tremblay

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  Steven Beckly

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  Gary Pearson

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  Gordon Smith

  In a 1995 interview with Ian Thom, the curator of “Gordon Smith: Black Paintings” at the Vancouver Art Gallery this past winter, the artist described himself as being “100 painters deep,” acknowledging the influence of the work of others on his own.

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  The Impossibilist

  In Paris in 1964 the Swiss-Italian artist Alberto Giacometti asked James Lord, his friend and an American art critic, to sit for a portrait. It would require only a single sitting lasting two or three hours and then Lord could go back to America as he had planned. A fortnight later, and after 18 unpredictable sessions

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  Picturing The Red Line

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  The Space of Not-Knowing

  It’s my sense that engaging with Erin Shirreff’s work involves an act of faith. Her proposition that time is the elemental dimension in the embodiment of her works, that is, in bringing them into being, is one with which we agree if we commit to her work.

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  The Song of the Recalcitrant Labourer

  The sculpture of Guelph-based artist Andrew Buszchak can be viewed through an altered line of poetry by noted Alberta-born poet Robert Kroetsch.

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  Curious Intersections of SciArt

  Curiosity has had a bad rap through the ages. As a proverb it is the source of feline termination, and in classical myth it blames Pandora for releasing into the world a cornucopia of evils.

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  Taking Back the Territory

  MAWA (the letters stand for “mentoring artists for women’s art”) is in its 34th year of operation and on June 1, 2018, will launch the “National Billboard Exhibition Project,” a two-month public celebration of the art of Indigenous women that will be visible across the country.

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