Plural 2025 | Editor’s Picks Day 3
Join Border Crossings at Plural 2025 as Editor Meeka Walsh selects artists’ works from participating galleries at the festival site.
Day 3
Valérie Blass | Galerie Eli Kerr
Valérie Blass, Carte mentale (il faut raboter ce pouvoir autant que possible) / Mind map (I need to shave this power off as much as possible), 2024, wood, canvas, mesh fabric, hydrocal cement, forton acrylic, paint, copper, bag of coal, plastic 3D print, cast iron skillet, vinyl record sleeve, metal handles, 67 x 197 x 5 iches (170 x 500 x 13 cm). Courtesy: Galerie Eli Kerr
Françoise Sullivan | Galerie Simon Blais
Françoise Sullivan, Comète, eau-forte / etching, 2018, 39.5 x 40 cm. Courtesy: Galerie Simon Blais. Photograph: Guy LHeureux.
Françoise Sullivan, Le-carré, eau-forte / etching, 2018, 39.5 x 40.2 cm. Courtesy: Galerie Simon Blais. Photograph: Guy LHeureux.
Andrea Mortson| The Blue Building Gallery
Andrea Mortson, Bouquet, 2020. Analog paper collage with found printed material, 16 x 10.5cm. Courtesy: The Blue Building Gallery. Photograph: Ryan Josey.
Shannon Bool | Daniel Faria Gallery
Shannon Bool, Pistachio Planks, 2024, porcelain, 10½ x 7½ inches (26.67 x 19.05 cm). Courtesy: Daniel Faria Gallery.
Shannon Bool, Absinthe Shingles, 2025, porcelain, 10½ x 7½ inches (26.67 x 19.05 cm). Courtesy: Daniel Faria Gallery.
Jake Kimble | United Contemporary
Jake Kimble, It’s All So Incredibly Loud, 2025, archival pigment print, Czech seed beads, framed in black each: 14 x 11 inches, Unique Edition. Courtesy: United Contemporary
Details: Jake Kimble, It’s All So Incredibly Loud, 2025, archival pigment print, Czech seed beads, framed in black each: 14 x 11 inches, Unique Edition. Courtesy: United Contemporary
Details: Jake Kimble, It’s All So Incredibly Loud, 2025, archival pigment print, Czech seed beads, framed in black each: 14 x 11 inches, Unique Edition. Courtesy: United Contemporary
