Reviews
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Francisco-Fernando Granados
co-respond-dance- Version II reacted to the health crisis by reaching out towards the “other,” reinforcing communal bonds at a time when touch, sensuality and intimacy are critically constrained.
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The Occidental Hotel by John Bentley Mays
And although it touches on many ideas and things, and is deeply pleasurable to read because of the masterful quality of Mays’s gifted language, it is finally and fundamentally a critique and satire of Western white supremacy and the attending wickedness and lunacy of that historical and current force.
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Caroline Monnet
Buildings matter, and can tell a story of either contextual purpose or haphazard malfeasance. Using the raw, off-cast building materials of flawed intent, Caroline Monnet’s works address both but also tell a story of positive responses and of renewed possibilities.
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Sheila Butler
Numerous and diverging logics abound but never settle, accounting for works that feel primeval and prescient all at once.
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Obsessionals:
Imagine a live rock video and you begin to get an idea of what to expect. Winnipeg’s first Intermedia Performance Festival, mounted from September 14-21, 1986, brought together artists from Winnipeg, Canada, the United States and England and gave us a larger view of this expanding art form.
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Eyes Wide Open
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“Baker Lake Wall Hangings”
“Baker Lake Wall Hangings” featured work by Marion Tuu-luq, Martha Apsaq, and Irene Avaalaaqiaq.
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Joan Miró
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“The Colour of My Dreams: The Surrealist Revolution in Art”
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Stan Douglas
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“Van Doesburg and the International Avant-Garde: Constructing a New World”
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“Pencils, Ashes, Matches & Dust” by Donigan Cumming
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