Barbara Rubin & the exploding NY Underground Directed by Chuck Smith
Memory’s dark twin is forgetfulness. Because of its presence, history is often obliged to curl back on itself so that it can set in motion a different story. Chuck Smith’s 78-minute-long documentary on the place of Barbara Rubin in New York’s film and music underground in the 1960s is a film that puts memory so unequivocally back into the historical narrative, it is impossible to view the years from 1963 to 1968 in the way they had previously been presented. Keep Reading
“Anthropocene: The Human Epoch,” directed by Jennifer Baichwal, Nicholas de Pencier and Edward Burtynsky, 126 minutes, 2018
The last thing we see in “Anthropocene: The Human Epoch”, the devastatingly important documentary made by filmmaker Jennifer Baichwal, cinematographer Nicholas de Pencier and photographer Edward Burtynsky, is a text dedicated to Sudan, the name of the last surviving male northern white rhino. Keep Reading
Destiny films presents ‘North Korea Singapore Summit Video,’ Directed by Donald Trump, produced by the National Security Council
I have been the film columnist for this magazine for 15 years and for many years before that was the film critic for CBC television in Winnipeg. I admit that I had become jaded watching Hollywood producers, year after swampy year, pull from their filmy top hats the same old tired cinematic rabbit tricks, so I take special delight in being able to review a movie masterpiece.
Final Portrait, Written and Directed by Stanley Tucci
In Paris in 1964 the Swiss-Italian artist Alberto Giacometti asked James Lord, his friend and an American art critic, to sit for a portrait. It would require only a single sitting lasting two or three hours and then Lord could go back to America as he had planned. A fortnight later, and after 18 unpredictable sessions
Dawson City: Frozen Time, directed by Bill Morrison
The history of culture is a negotiation between what we already know and what we still have to find out. Every once in a while a discovery is made that adds something new to that elusive process.
“Loving Vincent,” directed by Dorota Kobiela and Hugh Welchman
“Loving Vincent” is set a year after the death of Vincent van Gogh in 1890 and uses as cast members and locations the people and places the artist painted during his lifetime.
Cronos, The Devil’s Backcone, Pan’s Labyrinth, directed by Guillermo del Toro
The Devil’s Backbone, the second of three early films by the Mexican filmmaker Guillermo del Toro, which have been released as a Criterion boxed set, opens in an isolated orphanage in the final months of the Spanish Civil War.
The Green Fog, directed by Evan Johnson, Galen Johnson, and Guy Maddin
In Vertigo, Alfred Hitchcock’s 1958 masterpiece, and arguably the greatest film ever made, John ‘Scottie’ Ferguson, played by James Stewart, visits his old friend, the shipbuilding magnate and wife-murderer-in-waiting, Gavin Elster, and they talk about San Franciso, the city in which they both live.
Wanda, directed by Barbara Loden, 1970
Wanda, the brilliant feature-length film written and directed by Barbara Loden in 1970, in which she plays the eponymous character, has been on a welcome road to rediscovery.
Robert Frank: Film Works
Truth is Frank’s nemesis; he admits to a fear of telling it at the same time that he recognizes, “somewhere the fearful truth seems to endure.” —Robert Enright
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