There’s a lot to unpack in a stroll through the immersive and multifaceted exhibition by Swiss artists Nicolas Party, “L’heure mauve.”
Buildings matter, and can tell a story of either contextual purpose or haphazard malfeasance. Using the raw, off-cast building materials of flawed intent, Caroline Monnet’s works address both but also tell a story of positive responses and of renewed possibilities.
“RELATIONS: Diaspora and Painting,” more specifically, examines painting, identity and how the medium can become informed and revitalized through cultural memory.
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