Table of Contents
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BORDERNOTES
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Home Is Where the Art Is
Robert Enright
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BORDERVIEWS
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Preying and Predatoring: The Recent Painting of Suzanne Gauthier
Robert Enright
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The Demolition Show
The Demolition Crew
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Shadows of Former Selves: The New Work of Marsha Whiddon
Terrence Heath
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INTERVIEW
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Notes from Chicago: An Interview with New Music Composer George Flynn
William Pura
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The Mechanics of Excellence: An Interview with Architectural Designer Ron Keenberg
Robert Enright
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ARTICLES
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Reservations Aren’t For Journalists: The Outspoken Career of Heather Robertson
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News from the Cultural Front Lines
Stephen Phelps
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Current Prairie Fiction: Openings/Beginnings
Wayne Tefs
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ESSAY
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A Limberlost of Distances: The Myth of Rural Artists’ Isolation
Carolyn Hoople Creed
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POETRY
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Dancing in the Mirror
George Amabile
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CROSSOVERS
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“Anita” and “Christina/Philippe” videos by Per Brask
Patrick Friesen
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“The Cartier Street Contract” by Wayne Tefs
Howard Curle
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Reservations Aren’t For Journalists: The Outspoken Career of Heather Robertson
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Western Sunlight: C.W. Jefferys on the Canadian Prairies
Robert J. Lamb
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Kim Ouellette at Plug-In
Arthur Adamson
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La Folle Avoine’s Au Rythme du Courrant
Laurel Howard
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“The Best Possible Face: L.B. Foote’s Winnipeg” edited by Doug Smith and Michael Olito
Andy Blicq
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COMMENTARY
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Letters to the Editor
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PORTFOLIO
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The Stillness at the Eye’s Centre: A Portfolio of Photographs by L.B. Foote
Meeka Walsh
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The Shunning: Excerpts from a Play by Patrick Friesen
Patrick Friesen
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PHOTO DIARY
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Rebel with a Number of Causes: A Monologue with Robert Flynn
Robert Flynn
