Interviews
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The Many Faces of Suzy Lake
In the case of Suzy Lake, contemporary art history has had to go back in time to recognize her present achievement. From the beginning she was interested in the places where pictorial formats crossed over into one another.
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The Synonym Revealer’s Life
There is a playful sense of menace in Farber’s work. One blog entry includes a list of “Songs improved by replacing the word love with the word blood,” and among them is “Blood Me Tender,” a tune that reimagines Elvis Presley as a crooning vampire. The imminence of something that approximates tender bloodletting, and other kinds of chaos, is everywhere visible in Farber’s paintings and drawings. These activities are more genial than gruesome. Things forever teeter on the edge of some anticipated occurrence, the conditions and consequences of which are not immediately apparent.
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Painting’s Giant Dialogue
Kim Dorland
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Showing Nothing, Showing Everything
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A Constellation of Narratives: Dreaming the History of Lost Cinema
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Anxious Desires: The Photography of Susan Dobson
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The Fine and Excruciating Construction of the World: An interview with Ed Burtynsky
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The Art of Being What It Doesn’t Have to Be: An Interview with Ed Pien
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The Ages of Johnson: An Interview with Sarah Anne Johnson
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Boundary Blurrer: An Interview with Vera Frenkel
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The Certainty of Machines: An Interview with Max Dean
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The Artful Doubter: Evan Penny & the Making of Extraordinary Objects
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