An Interview with Sean Landers
In the beginning was the word and the word got fleshed out. That would be the opening line in Sean Landers’s version of his Bible, were he to write one. It would be a kind of secular new testimony because, for him, language is the medium and the message. When I say, the word gets “fleshed out,” I mean it literally. Keep Reading
The Sculpture and Drawing of Jen Aitken
Toronto-based sculptor Jen Aitken stresses the importance of intuition as “a valuable form of knowledge and expertise.” She sees it as having a double register: for her as an artist, it’s a way of making, and for us as viewers, it’s a way of perceiving… Keep Reading
Mia Feuer and the Art of Social Connection
Mia Feuer, the Winnipeg-born, California-based sculptor and teacher, turns material into worlds. It is a process she initially recognized as a teenager while working as an unpaid volunteer at Winnipeg’s Rainbow Stage, the longest-running outdoor stage in North America… Keep Reading
The Sculptural World of Phyllida Barlow
Phyllida Barlow is a material magician, the consummate alchemist of stuff. She is able to take the most unimpressive things—plaster, foam, PVA, chicken wire, cardboard, sand, polyurethane, lumber, rubber cable, paper, clay and the occasional ironing board or television set—and transform them into objects and environments of irresistible charm, depth and beauty. Keep Reading
The Incomparable Sculpture of Valérie Blass
In 2015 Valérie Blass made a sculpture called “La méprise” consisting of two porcelain objects in flocking, standing on a marble slab and facing a mirror. One of the objects is a black cat with its tail sticking straight up. Keep Reading
An Interview with David Lynch
David Lynch, a painting student in 1967 at the Pennsylvania Academy of Fine Arts in Philadelphia, was working on an all-black painting of a night garden when he sensed that a wind, mysteriously generated from within the canvas, stirred the leaves he had just rendered.
An Interview with Laura Owens
Is it too early to refer to the Owens Effect? I’m describing what happens when a single artist gathers up the traceries of what an art form has been and the trailings of what it has become in the digital age and presents what she makes out of the commingling as some kind of new and generative pictorial language.
An Interview with Holger Kalberg
Throughout the 30 years he has been making art, initially in Germany where he was born, then in Vancouver and London, UK, where he was educated, and now in Winnipeg where he lives and teaches, Holger Kalberg has been attracted to the ways in which paintings are structured.
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