Stephanie Comilang’s Honing Device
It is possible to imagine a time, maybe not so long ago, when the year 2020 sounded futuristic. There’s something about the repetition of digits that really stakes a claim in the temporal registry. Keep Reading
Art in a Time of Climate Crisis
Nothing makes an artist feel as ineffectual as the looming climate catastrophe. Its existential pragmatism makes short shrift of poetics to focus on questions like: Who is financing the art and where does their money come from? How much waste is produced from the invitations, posters and flyers? What is the environmental impact of the all show accoutrement—the temporary walls, the climate-controlled rooms—of which the artwork itself is just the tiniest element? Keep Reading
The Intimate Delight of Janet Nungnik’s Textile Art
At school, she was eventually consoled by the peaceful attitude of a teacher. “His name was Mr. Webster and he was always so calm. After I saw him, I was interested in learning English.” Then she adds, “My classmates were like me, abducted from their homeland. But we connected really well and we had an opportunity to have fun each day.” Later on, while she was home on breaks from middle school in Churchill and high school in Yellowknife, her father insisted that she and her sister and brother maintain their first language—written and spoken. Not incidentally, she signs all her work in Inuktitut syllabics. Keep Reading
The Painting and Photography of Elaine Stocki
In this exhibition recently opened at the Canadian Cultural Centre in Paris, Elaine Stocki—formerly from Winnipeg, now living in Los Angeles—here proposes what appear to be two equally emphasized streams of work, one of images produced photographically, and the other and more recent of the two groups in the form of paintings. It’s tempting to retain the simple notion that photography is about looking and recording the look, and painting is about touching and the immediate touch. Keep Reading
The Changing Language of Tracey Emin’s New Paintings
Tracey Emin’s new paintings, recently exhibited as part of the exhibition “A Fortnight of Tears” at White Cube, London, reveal an uncommon depth of feeling. Yes, her art in all its many media has always been emotionally demonstrative; you always knew what was on her mind—the passions of desire, abandonment, pleasure, revenge, or whatever was at stake in any given piece—and the work declared the feeling… Keep Reading
Visibling the invisible in the Art of Fernand Leduc, Louis Comtois and Larissa Tiggelers
Jonas Mekas and the Battle for Film Art
By the time he’d made this incendiary statement, Jonas Mekas was a well-known poet, an established New York filmmaker, curator and creator of an American film culture of the avant-garde. He was an archivist, critic, programmer, distributor and general champion of film as art. His many accomplishments included the founding of Film Culture Magazine, the New York Film-Makers Cooperative and Anthology Film Archives. He coined the term “New American Cinema” to describe the American avant-garde of the 1950s and ’60s, and each appearance of his “Movie Journal” column in the Village Voice was eagerly anticipated by filmmakers, artists, critics and general readers alike. Keep Reading
Annette Messager and Alberto Giacometti
This past winter Annette Messager was a guest artist at the newly opened Institute Giacometti in Paris. This was the first exhibition in the reconstructed building, and I was surprised by the elegance and intimacy of its interior, which was composed of interlocking rooms. The title of the exhibition, “Nos Chambres” (our bedrooms), and the hint of an erotic slant would be in keeping with the surrealism of the site. Keep Reading
Haven’t found what you're looking for? Explore our index for material not available online.
Border Crossings • 500-70 Arthur Street • Winnipeg, MB • R3B 1G7 • (204) 942 5778 • Toll-free (866) 825 7165 • Fax (204) 949 0793 • Email
Advertise with Border Crossings
Border Crossings wishes to acknowledge funding from the following organizations:
